Francesco Geminiani's "Sonatas for Violoncello" is a captivating exploration of Baroque music, showcasing the unique and innovative style of the Italian composer and violinist. Born in Lucca in 1687, Geminiani's musical prowess was evident from an early age, honed under the tutelage of his father and later by renowned masters such as Carlo Ambrogio Lonati and Arcangelo Corelli. This album, released on Challenge Classics, features a collection of sonatas that highlight Geminiani's distinctive approach to composition and performance, characterized by unpredictable, asymmetrical, and improvisatory elements.
The album is performed by the talented cellist Octavie Dostaler-Lalonde, who brings a fresh and improvisatory approach to the music, inspired by Geminiani's own style. The sonatas, particularly the Op. 5 set, are notable for their complexity and depth, offering a rich tapestry of sound and emotion. The performances are accompanied by a continuo ensemble, adding layers of texture and nuance to the music.
With a duration of 53 minutes, the album includes arrangements for two cello piccolos and other instrumental combinations, showcasing the versatility and ingenuity of Geminiani's compositions. The sonatas are divided into multiple movements, each offering a unique blend of tempos and moods, from the grave and solemn to the lively and allegro.
"Sonatas for Violoncello" is a testament to Geminiani's enduring influence on Baroque music and his ability to push the boundaries of traditional forms. The album is a must-listen for enthusiasts of classical and Baroque music, offering a glimpse into the creative genius of one of the era's most innovative composers.
Sonata for two Violins and Continuo, Op. 1 No. 2 (Arranged for two Cello Piccolos): I. GraveFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for two Violins and Continuo, Op. 1 No. 2 (Arranged for two Cello Piccolos): II. Allegro - AdagioFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for two Violins and Continuo, Op. 1 No. 2 (Arranged for two Cello Piccolos): III. AllegroFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 3: I. AndanteFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 3: II. AllegroFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 3: III. AffettuosoFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 3: IV. AllegroFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
The Art of Playing the Guitar or Cittra (Arranged for Cello Piccolo and b.c.): CanonFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 2: I. AndanteFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 2: II. PrestoFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 2: III. AdagioFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 2: IV. AllegroFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
The Art of Playing the Guitar or Cittra (Arranged for Cello Piccolo and b.c.): AffettuosoFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 1: I. AndanteFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 1: II. AllegroFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 1: III. AndanteFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 1: IV. AllegroFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 6: I. AdagioFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 6: II. Allegro assai - GraveFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript
Sonata for Cello and Basso Continuo, Op. 5 No. 6: III. Allegro - Non tantoFrancesco Geminiani, Octavie Dostaler-Lalonde, Postscript