Sombre

Album Description

Dive into the captivating world of Hélène Breschand's "Sombre," a mesmerizing journey into the realms of free improvisation and experimental jazz. Released in 2005 under the esteemed Les Disques VICTO label, this album is a testament to Breschand's mastery of the harp and her innovative approach to music. Collaborating with Jean-François Pauvros on guitar, the duo weaves a tapestry of sound that is both intimate and expansive, spanning eight intricate tracks over 45 minutes.

Recorded at Studio Campus in late 2004 and early 2005, "Sombre" showcases the unique chemistry between Breschand and Pauvros, resulting in a collection of compositions that are as thought-provoking as they are sonically rich. The album opens with "Mouillage," a delicate and introspective piece that sets the tone for the journey ahead. Tracks like "Étrave" and "Courant Chaud" explore deeper, more textured soundscapes, while "Rêve D'algues" and "L'étoile Renversée" offer moments of ethereal beauty and contemplation.

Born in Paris in 1966, Hélène Breschand is renowned for her contributions to the world of experimental harp music. Her work on "Sombre" is a testament to her skill and creativity, making it a standout addition to any discerning music lover's collection. Whether you're a longtime fan of Breschand's work or a newcomer to her unique sound, "Sombre" promises an unforgettable listening experience.

January 1, 2005

2005 Les Disques VICTO

About Hélène Breschand

Hélène Breschand is a pioneering French harpist, composer, and improviser, renowned for her innovative approach to the harp and her captivating performances. Born in Paris in 1966, Breschand has carved out a unique niche in the world of experimental and contemporary music, seamlessly blending genres such as free jazz, rock, and psychedelic sounds with her classical training. As a soloist and ensemble member, she has collaborated with notable figures in contemporary music and theater, creating immersive and meditative experiences that transcend the boundaries of traditional harp music. Breschand's work is not just about the notes she plays, but also about the vibrations and gestures that bring her music to life, making each performance a deeply engaging and transformative experience. Her compositions and performances invite audiences to explore new sonic landscapes, where the harp becomes a portal to a world of endless musical possibilities.