"Solos - East West" is a captivating split album featuring the virtuoso saxophone solos of Lol Coxhill and George Haslam, two titans of the avant-garde and free jazz scenes. Released on January 1, 1997, via Slam Productions, this album is a testament to the raw, unadulterated power of solo improvisation. The record spans a concise yet impactful 57 minutes, with each track offering a unique glimpse into the artistic minds of Coxhill and Haslam.
The album kicks off with Coxhill's rendition of "Krivoy Rog," setting the tone for the experimental journey that lies ahead. Coxhill's distinctive style is on full display, characterized by his playful, often humorous approach to the saxophone. Haslam's contributions, including his take on the classic "It Don't Mean a Thing," showcase his deep understanding of jazz tradition while pushing the boundaries of free improvisation.
"Solos - East West" is not just a collection of songs but a celebration of the saxophone's versatility and the artists' mastery of their craft. The album's five tracks, ranging from standards like "Pepper Vodka" and "Softly as in a Morning Sunrise" to lesser-known gems, provide a rich tapestry of sounds that will appeal to both jazz aficionados and those new to the genre. Whether you're a fan of free jazz, avant-garde music, or simply appreciate exceptional saxophone playing, this album is sure to leave a lasting impression.
Lol Coxhill, born George Lowen Coxhill in 1932, was a pioneering figure in the world of free improvisation, renowned for his virtuosic skills on the soprano and sopranino saxophones. Hailing from Southsea, Hampshire, Coxhill's career spanned over five decades, during which he fearlessly explored the boundaries of jazz and avant-garde music. A true maverick, he was part of the original free improvisation movement of the 1960s, leaving behind a rich legacy of innovative and boundary-pushing music. Coxhill's work is a testament to his unique voice and his enduring impact on the world of experimental music. His performances were not just concerts but journeys into the unknown, inviting audiences to experience the raw and unfiltered power of improvisation. Coxhill passed away in 2012, leaving behind a body of work that continues to inspire and challenge musicians and music lovers alike.
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