Solo Teddy Wilson Big Band Vol. 3

Dive into the vibrant world of jazz with Teddy Wilson's "Solo Teddy Wilson Big Band Vol. 3," a captivating collection of 14 tracks that showcase the timeless elegance of swing music and big band arrangements. Released on July 11, 2012, by Storyville Records, this album is a testament to Teddy Wilson's mastery as a pianist and bandleader, offering a rich tapestry of classic jazz standards and original compositions.

From the sultry "Love" to the upbeat "Strollin'," and the iconic "King Porter Stomp," each track is a masterclass in swing and big band jazz. The album features a blend of instrumental prowess and vocal jazz, with highlights like "Summertime" and "All of Me" that will have you swaying in your seat. Teddy Wilson's virtuosic piano playing is on full display, accompanied by the lush harmonies and rhythmic drive of a full big band.

The album also includes medleys such as "Sweet Lorraine/Body and Soul/I've Got the World On a String/April in Paris," showcasing Wilson's ability to seamlessly weave together multiple compositions into a cohesive and enchanting musical experience. Whether you're a seasoned jazz aficionado or a newcomer to the genre, "Solo Teddy Wilson Big Band Vol. 3" is a delightful journey through the golden age of jazz, offering something for everyone.

Teddy Wilson, born Theodore Shaw Wilson, was a pioneering American jazz pianist whose elegant and virtuosic style made him a cornerstone of the swing era. Known as "the definitive swing pianist" by critic Scott Yanow, Wilson's playing was smooth, steady, and highly accessible, blending influences from Earl Hines and Art Tatum. His career spanned over five decades, during which he collaborated with jazz legends such as Louis Armstrong, Billie Holiday, and Ella Fitzgerald. Notably, Wilson was one of the first black musicians to perform prominently with white musicians, notably with Benny Goodman's orchestra. Beyond his sideman work, Wilson led his own groups and recording sessions, leaving an indelible mark on the world of jazz. His contributions earned him the title of NEA Jazz Master in 1986, cementing his legacy as one of the finest pianists of the swing era.