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Bruno Chevillon
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Bruno Chevillon is a renowned French jazz double bassist, born on 23 August 1959 in Valréas, France. Known for his innovative work in avant-garde jazz and new improvised music, Chevillon has made a significant impact on the jazz scene. He studied at the Ecole des Beaux Arts d'Avignon and has been a member of notable groups like the André Jaume Quartet and Bernard Struber Jazztet. His discography spans a range of genres, including gnawa, French jazz, avant-garde, free jazz, and jazz fusion, showcasing his versatility and creativity. Currently residing in Pantin, Île-de-France, Chevillon continues to captivate audiences with his unique sound and artistic vision.
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Bruno Chevillon, a master of the bass, teams up with Jean-Marc Foltz on clarinet and Stephan Oliva on piano to present "Soffio di Scelsi," a captivating exploration of sound that defies conventional genre boundaries. Released on October 21, 2008, under the esteemed label La Buissonne, this album is a testament to the trio's innovative spirit, seamlessly blending gnawa, French jazz, avant-garde, free jazz, and jazz fusion into a cohesive and enthralling sonic experience.
Comprising fourteen tracks, each titled "Sogno" (Italian for "dream"), the album spans a duration of 58 minutes, offering a journey through a landscape of improvisation and composition. Chevillon's virtuosic bass playing is a standout feature, providing a deep, resonant foundation that intertwines with Foltz's expressive clarinet and Oliva's dynamic piano work. The result is a rich tapestry of sound that is both intricate and accessible, inviting listeners to immerse themselves in the music's evocative and often hypnotic rhythms.
"Soffio di Scelsi" is not just an album; it's an experience that showcases the unique chemistry between Chevillon, Foltz, and Oliva. Their collective artistry shines through in every track, creating a body of work that is as thought-provoking as it is enjoyable. Whether you're a seasoned jazz enthusiast or a curious newcomer, this album offers a fresh and engaging perspective on the possibilities of contemporary jazz and experimental music.
