Size Matt’reth Not - The Compleat Fantazias for 2 Treble Viols & the 3 & 4-part Consorts for the 'Great Dooble Base' by Orlando Gibbons - Orlando Gibbons

Album Description

Dive into the rich tapestry of early 17th-century English consort music with Orlando Gibbons' "Size Matt'reth Not - The Compleat Fantazias for 2 Treble Viols & the 3 & 4-part Consorts for the 'Great Dooble Base'." This meticulously curated collection, released on Midweft415, showcases the mastery of Orlando Gibbons, one of the most celebrated composers of his time. The album spans a duration of 1 hour and 8 minutes, offering a comprehensive exploration of Gibbons' fantazias and consort pieces.

The album features a diverse range of compositions, including works for two treble viols and larger consort settings that include the imposing 'Great Dooble Base.' Each piece is drawn from historical manuscripts, providing an authentic glimpse into the musical landscape of Gibbons' era. The tracklist includes a variety of keys and instrumental combinations, highlighting Gibbons' versatility and innovation.

In addition to Gibbons' works, the album also includes pieces by other notable composers of the period, such as Thomas Lupo the Elder and William Daman, adding depth and context to the musical journey. The performances are likely to be impeccably executed, capturing the essence of these historical compositions and bringing them to life for modern audiences.

Whether you are a seasoned enthusiast of early music or a curious newcomer, this album offers a captivating exploration of Orlando Gibbons' contributions to the consort repertoire. The intricate interplay of voices and the rich harmonic textures make this a standout collection in the realm of early music.

October 15, 2020

2020 Phillip W. Serna, Midweﬅ415

About Orlando Gibbons

Orlando Gibbons, born in 1583, was a pivotal English composer and virtuoso keyboard player, standing as one of the final masters of the English Virginalist and Madrigal Schools. Hailing from a distinguished musical family, Gibbons rose to prominence in the 1610s, becoming the preeminent composer and organist of his time before his untimely death in 1625. His compositions span virtually every genre of the Elizabethan and Jacobean eras, showcasing his versatility and innovation. Gibbons is celebrated for his significant contributions to early music, bridging the gap between the Renaissance and Baroque periods. His works, though fewer in number due to his early passing, are marked by their depth and influence, making him an indispensable figure in the evolution of English music.