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Dive into the captivating world of Sidney Corbett's "Que hora es in paradiso? Kammermusik für und mit Gitarre," a compelling collection of chamber music that showcases the versatility and depth of the guitar, alongside an array of other instruments. Released on January 1, 2006, under Cybele Records, this album spans a rich duration of 1 hour and 19 minutes, offering a diverse and engaging listening experience.
The album opens with "Bleeding In Babylon," a powerful piece for bass clarinet, electric guitar, and double bass, followed by the intricate six-part composition cycle "Die Stimmen der Wände" (1993). This cycle unfolds through a series of movements—"Symphoniae," "Porta," "Amplificat," "Pellere Noxia Mundi," "Responsorium," and "Ultimus"—each revealing a different facet of Corbett's compositional prowess.
"Que hora es in paradiso" (2002), a hauntingly beautiful duet for banjo and bass clarinet, and "Variations in memoriam Edison Denisov" (1998), a solo guitar piece honoring the esteemed Russian composer, further highlight Corbett's ability to blend tradition with innovation. The album concludes with "Exits" (2005), a four-movement work for electric guitar and ensemble, featuring pieces like "Self Portrait," "Tarantella," "Malibu (In Memoriam Mark Osborn)," and "Desert," each offering a unique sonic journey.
Sidney Corbett's "Que hora es in paradiso?" is a testament to his artistic vision and technical skill, making it a standout addition to any music enthusiast's collection.