Side Man Blue

Album Description

Dive into the world of jazz fusion with Peter Erskine's "Side Man Blue," a captivating album released on January 2, 2001, under the Fuzzy Music label. This 17-track masterpiece, recorded on March 8, 2001, at the Pasadena Playhouse, offers a rich tapestry of sounds that showcase Erskine's virtuosity and innovative spirit.

The album opens with the title track, "Side Man Blue," setting the stage for a journey through a variety of musical landscapes. Erskine pays tribute to jazz legends with tracks like "I Remember Clifford," presented in both quintet and quartet versions, and "Song for a Friend," which appears in multiple arrangements, including a WDR Big Band version. The album also features dynamic performances like "Burnin'" and "St. Jimmy's," highlighting Erskine's versatility and mastery of the genre.

"Side Man Blue" is not just a collection of songs but a testament to Erskine's artistic vision and technical prowess. The album's duration of 1 hour and 6 minutes ensures a comprehensive exploration of his musical capabilities, making it a standout release in his discography. Whether you're a longtime fan of Peter Erskine or a newcomer to his work, this album promises an enriching and enjoyable listening experience.

2 januari 2001

About Peter Erskine

Peter Erskine is a renowned American jazz drummer, celebrated for his dynamic contributions to the genre and his influential role in jazz fusion. Born in Somers Point, New Jersey, in 1954, Erskine began his musical journey at the tender age of four, quickly ascending to the forefront of world-class jazz. He is best known for his tenure with the legendary band Weather Report and his work with the fusion group Steps Ahead. Erskine's discography is extensive and diverse, featuring collaborations with some of the most respected names in jazz. His compositions, such as those found on 'Time Being', are noted for their emotional depth and intelligent craftsmanship. Beyond his performing career, Erskine is also an esteemed educator, serving as an International Visiting Professor at the Royal Academy of Music. His insights into jazz drumming are further explored in his book, 'Jazz Drumming Perspectives', making him a valuable figure both on and off the stage.