Shelly Manne's My Fair Lady

Shelly Manne's "My Fair Lady" is a captivating journey through the timeless melodies of the classic musical, reimagined through the lens of cool jazz, hard bop, and bebop. Originally released in 1956, this 2019 reissue on Vonotone Records brings together the masterful trio of Shelly Manne on drums, André Previn on piano, and Leroy Vinnegar on bass. The album features eight instrumental performances of beloved songs from "My Fair Lady," including "Get Me to the Church on Time," "I've Grown Accustomed to Her Face," and "Wouldn't It Be Loverly."

Shelly Manne, a pioneering figure in West Coast jazz, infuses each track with his distinctive drumming style, creating a swinging and sophisticated atmosphere. The interplay between Manne, Previn, and Vinnegar is nothing short of magical, showcasing their collective virtuosity and musical chemistry. The album's concise 34-minute runtime ensures that each moment is packed with energy and creativity, making it a perfect listen from start to finish.

For jazz enthusiasts and fans of "My Fair Lady," this album offers a fresh and exciting perspective on the iconic songs. Shelly Manne's "My Fair Lady" is not just a tribute to the original musical but a testament to the enduring power of jazz to reinterpret and elevate timeless melodies.

Shelly Manne, born Sheldon Manne, was a titan of jazz drumming, renowned for his versatility and deep musicality. Hailing from New York City, Manne's career spanned over four decades, leaving an indelible mark on the genre, particularly in the development of West Coast jazz. His inventive and lyrical drumming style made him a sought-after musician, collaborating with countless famous musicians and composers. Manne's prowess extended beyond jazz, contributing to the musical scores of hundreds of Hollywood films and television programs. He was not just a drummer but also a bandleader and businessman, opening his own jazz club, Shelly's Manne-Hole, in Los Angeles. Manne's unique solos, often infused with humor, showcased his phenomenal technique and adaptability across various styles, from swing and bebop to avant-garde and fusion. His legacy includes over a thousand recordings, cementing his status as one of the greatest jazz drummers in history.