Seven, Come Eleven

Album Description

Capturing a historic live performance, "Seven, Come Eleven" is a quintessential jazz album featuring the legendary guitarists Herb Ellis and Joe Pass. Recorded on July 29, 1973, at the Concord Boulevard Park in Concord, CA, this album showcases the duo's extraordinary chemistry and virtuosity, backed by the stellar rhythm section of Ray Brown on bass and Jake Hanna on drums.

Released in 1974 under the Concord Jazz label, this cool jazz and bebop masterpiece spans just over 41 minutes, packing a powerful punch with seven timeless tracks. From the sultry "In A Mellow Tone" to the upbeat "Seven, Come Eleven," and the romantic "Prelude To A Kiss," each song is a testament to the artists' impeccable technique and deep musical understanding. The album also includes a local favorite, "Concord Blues," adding a touch of regional flavor to the collection.

"Seven, Come Eleven" is not just a live album; it's a snapshot of a moment in time when jazz legends came together to create something truly special. The interplay between Ellis and Pass is electric, their guitars weaving intricate patterns that highlight their individual styles while blending seamlessly. Ray Brown's solid bass lines and Jake Hanna's dynamic drumming provide a robust foundation, elevating the performance to new heights.

This album is a treasure for jazz enthusiasts and a delight for anyone appreciating exceptional musicianship. The live setting adds an extra layer of excitement, capturing the energy and spontaneity of the performance. Whether you're a longtime fan of Herb Ellis and Joe Pass or new to their work, "Seven, Come Eleven" is an essential addition to any jazz collection.

28 februari 1974

℗ 1974 Concord Jazz, Distributed by Concord.

About Herb Ellis

Herb Ellis, born Mitchell Herbert Ellis, was a pioneering American jazz guitarist whose career spanned decades, leaving an indelible mark on the genre. Hailing from Farmersville, Texas, Ellis' journey began with the influence of Western swing and jazz, shaping his unique, blues-inflected style. He is perhaps best known for his tenure with the Oscar Peterson Trio from 1953 to 1958, where his nimble improvisations and distinctive swing feel complemented Peterson's prodigious piano playing. Ellis' collaborations extended beyond Peterson, including notable work with Ella Fitzgerald and Joe Pass, and he was a member of the esteemed Great Guitars ensemble. His compositions, such as "Detour Ahead" and "I Told Ya I Love Ya, Now Get Out," are jazz standards, showcasing his wit and musical prowess. Ellis' iconic use of a 1953 Gibson ES-175 further cemented his legacy, making him a beloved figure among jazz enthusiasts and musicians alike.