Dive into the avant-garde world of free jazz with Evan Parker's "September Winds," a sprawling double album released in 2001. This ambitious work, spanning over two hours, is a testament to Parker's mastery of the saxophone and his fearless exploration of musical boundaries. Joined by a stellar ensemble including Peter A. Schmid, Hans Anliker, Reto Senn, and Jürg Solothurnmann, Parker delivers a captivating performance that pushes the limits of improvisation and composition.
"September Winds" is a journey through the windswept landscapes of experimental music, with tracks like "Spar Sam!" and "Winds" showcasing the group's dynamic interplay and collective improvisation. The album's two-part "Insects" suite is a standout, offering a mesmerizing exploration of texture and timbre. Each track is a unique sonic adventure, from the haunting "Blackwood" to the playful "Blown Chairs," demonstrating the group's versatility and creativity.
Recorded and released by iM Jazz, this album is a must-listen for fans of avant-garde and free jazz. The extended duration allows for a deep immersion into the music, revealing the intricate details and subtle nuances that make this album a standout in Evan Parker's discography. Whether you're a seasoned jazz enthusiast or a curious newcomer, "September Winds" offers a rich and rewarding listening experience.
Evan Parker is a pioneering British saxophonist renowned for his innovative approach to free improvisation. Born in Bristol in 1944, Parker began playing the saxophone at the age of 14 and has since become a seminal figure in the European free music scene. Known for his distinctive sound and fluid development of multiphonic techniques, Parker has consistently pushed the boundaries of what is possible on the tenor and soprano saxophones. His collaborations, notably with the Spontaneous Music Ensemble and a vast array of percussionists and electronic musicians, have solidified his status as one of the most influential and recognizable artists in avant-garde and free jazz. Parker's music is not just about notes; it's about creating a constantly evolving sonic landscape that challenges and engages the listener.
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