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Selected Works 1983 - 1986, released on 1 January 2001 via Leo Records, is a mesmerising compilation that delves into the realm of free jazz and jazz. This extensive collection, spanning 2 hours and 9 minutes, showcases a plethora of enchanting tracks, including 'Archaic Visions Part 1', 'Love', and 'Song For Abdullah'. The album's diverse tracklist, featuring pieces like 'Element Air...Leap', 'Opium Dream Eyes', and 'Minstrels', demonstrates the artist's versatility and creative depth.
With its rich, improvisational soundscapes, Selected Works 1983 - 1986 is a testament to the artist's ability to craft captivating, avant-garde music. The inclusion of 'Quartet Improvisations, Paris 1986' adds a unique, live element to the album, offering a glimpse into the artist's dynamic performance style. As a comprehensive representation of the artist's work between 1983 and 1986, this album is a must-listen for fans of experimental jazz and those eager to explore the genre's boundaries.
Marilyn Crispell is a pioneering force in the world of free jazz, renowned for her powerful and distinctive piano playing. Born in Philadelphia in 1947, Crispell's journey into jazz began in her late 20s when she discovered John Coltrane's music, setting her on a path to become one of the genre's most original and sought-after pianists. Her style, influenced by the likes of Coltrane and Cecil Taylor, is uniquely her own, characterized by a masterful use of space and an adventurous spirit that continually pushes boundaries.
Crispell's career is marked by her extensive work as a soloist and bandleader, as well as her collaborations with legendary figures such as saxophonist Anthony Braxton, with whom she performed in the 1980s and '90s. Her compositions and performances are known for their evocative and disciplined style, often described as akin to monitoring an active volcano, with a dynamic range that challenges and captivates. Crispell's contributions to the jazz world have been recognized with the prestigious NEA Jazz Master award, cementing her status as a true innovator in the realm of avant-garde jazz.
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