Immerse yourself in the extraordinary musical journey of Seiji Ozawa with his commemorative album, "Seiji Ozawa Anniversary." Released in 2010, this expansive collection spans an impressive 115 tracks, offering a grand total of over 10 hours of enchanting classical orchestral performances. Seiji Ozawa, the renowned conductor, curates a diverse array of compositions that showcase his unparalleled artistry and deep musical insight.
The album features a rich tapestry of works from some of the most celebrated composers in history, including Béla Bartók, Francis Poulenc, Gustav Mahler, Hector Berlioz, Johann Sebastian Bach, Leonard Bernstein, and Maurice Ravel. Each piece is meticulously performed, reflecting Ozawa's distinctive interpretive style and his ability to evoke profound emotional resonance from the orchestra.
From the hauntingly beautiful "Music for Strings, Percussion and Celesta" by Bartók to the majestic "Symphony No. 2 'Resurrection'" by Mahler, the album traverses a wide spectrum of musical expressions. The inclusion of Bach's transcendent "Chaconne" and Berlioz's dramatic "Symphonie fantastique" further underscores the album's eclectic and comprehensive nature.
Seiji Ozawa's Anniversary is not just a compilation of performances; it is a testament to his enduring legacy and his profound impact on the world of classical music. Whether you are a seasoned aficionado or a newcomer to the genre, this album offers a captivating exploration of orchestral masterpieces, each track a testament to Ozawa's mastery and the timeless beauty of classical music.
Music for Strings, Percussion and Celesta, Sz. 106: 1. Andante tranquilloBéla Bartók, Saito Kinen Orchestra, Seiji Ozawa
Music for Strings, Percussion and Celesta, Sz. 106: 2. AllegroBéla Bartók, Saito Kinen Orchestra, Seiji Ozawa
Music for Strings, Percussion and Celesta, Sz. 106: 3. AdagioBéla Bartók, Saito Kinen Orchestra, Seiji Ozawa
Music for Strings, Percussion and Celesta, Sz. 106: 4. Allegro moltoBéla Bartók, Saito Kinen Orchestra, Seiji Ozawa
Concerto for Orchestra, Sz. 116: 1. Introduzione. Andante non troppo - Allegro vivaceBéla Bartók, Saito Kinen Orchestra, Seiji Ozawa
Concerto for Orchestra, Sz. 116: 2. Giuoco della coppie. Allegretto scherzandoBéla Bartók, Saito Kinen Orchestra, Seiji Ozawa
Concerto for Orchestra, Sz. 116: 3. Elegia. Andante, non troppoBéla Bartók, Saito Kinen Orchestra, Seiji Ozawa
Concerto for Orchestra, Sz. 116: 4. Intermezzo interrotto. AllegrettoBéla Bartók, Saito Kinen Orchestra, Seiji Ozawa
Concerto for Orchestra, Sz. 116: 5. Finale. Pesante - PrestoBéla Bartók, Saito Kinen Orchestra, Seiji Ozawa
Symphonie fantastique, H. 48: I. Rêveries – PassionsHector Berlioz, Saito Kinen Orchestra, Seiji Ozawa
Symphonie fantastique, H. 48: II. Un bal. ValseHector Berlioz, Saito Kinen Orchestra, Seiji Ozawa
Symphonie fantastique, H. 48: III. Scène aux champsHector Berlioz, Saito Kinen Orchestra, Seiji Ozawa
Symphonie fantastique, H. 48: IV. Marche au suppliceHector Berlioz, Saito Kinen Orchestra, Seiji Ozawa
Symphonie fantastique, Op. 14: 5. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) - Minus applauseHector Berlioz, Saito Kinen Orchestra, Seiji Ozawa
Pavane pour une infante défunte, M. 19aMaurice Ravel, Saito Kinen Orchestra, Seiji Ozawa
Family Tree - Musical Verses for Young People: Once Upon A TimeToru Takemitsu, Seira Ozawa, Saito Kinen Orchestra, Seiji Ozawa
Family Tree - Musical Verses for Young People: GrandpaToru Takemitsu, Seira Ozawa, Saito Kinen Orchestra, Seiji Ozawa
Family Tree - Musical Verses for Young People: GrandmaToru Takemitsu, Seira Ozawa, Saito Kinen Orchestra, Seiji Ozawa
Family Tree - Musical Verses for Young People: DadToru Takemitsu, Seira Ozawa, Saito Kinen Orchestra, Seiji Ozawa
Family Tree - Musical Verses for Young People: MomToru Takemitsu, Seira Ozawa, Saito Kinen Orchestra, Seiji Ozawa
Family Tree - Musical Verses for Young People: A Distant PlaceToru Takemitsu, Seira Ozawa, Saito Kinen Orchestra, Seiji Ozawa
My Way of Life: I Was Once Asked to Write About "My Way Of Life".Toru Takemitsu, Dwayne Croft, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
My Way of Life: To a Discerning EyeToru Takemitsu, Dwayne Croft, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
My Way of Life: A Human Being Has Its Own Way Of LifeToru Takemitsu, Dwayne Croft, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
My Way of Life: It Is Not Time That Passes OnToru Takemitsu, Dwayne Croft, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa
Requiem pour orchestre à cordesToru Takemitsu, Saito Kinen Orchestra, Seiji Ozawa
AirToru Takemitsu, Aurèle Nicolet
Symphony No. 2 "Resurrection": I. Allegro maestosoGustav Mahler, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 "Resurrection": II. Andante moderatoGustav Mahler, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 "Resurrection": III. Scherzo. In ruhig fliessender BewegungGustav Mahler, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 "Resurrection": IV. Urlicht. O Röschen rot!Gustav Mahler, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 "Resurrection": V. Finale: a-d. Im Tempo des Scherzos... Wieder sehr breitGustav Mahler, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 "Resurrection": V. Finale: e-f. Maestoso. Sehr zurückhaltend – Wieder zurückhaltend –Gustav Mahler, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 "Resurrection": V. Finale: g. Sehr langsam und gedehnt –Gustav Mahler, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 "Resurrection": V. Finale: h-i. Aufersteh'n, ja aufersteh'n wirst du (Langsam. Misterioso)Gustav Mahler, Kiri Te Kanawa, Marilyn Horne, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 "Resurrection": V. Finale: j-k. O glaube, mein Herz, o glaube (Etwas bewegter)Gustav Mahler, Kiri Te Kanawa, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Toccata & Fugue in D Minor, BWV 565Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa
Fuga (Ricercata) a 6 vociJohann Sebastian Bach, Boston Symphony Orchestra, Tanglewood Festival Chorus, Seiji Ozawa
Partita for Violin Solo No. 2 in D minor, BWV 1004 - Transcription: Hideo Saito: ChaconneJohann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa
Vom Himmel hoch da komm ich her, BWV 769 - Orch. Stravinsky: ChoralJohann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa
Vom Himmel hoch da komm ich her, BWV 769 - Orch. Stravinsky: Var.I: In canone all'ottavaJohann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa
Vom Himmel hoch da komm ich her, BWV 769 - Orch. Stravinsky: Var.II: Alio modo in canone alle quintaJohann Sebastian Bach, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Vom Himmel hoch da komm ich her, BWV 769 - Orch. Stravinsky: Var.III: In canone alla settimaJohann Sebastian Bach, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Vom Himmel hoch da komm ich her, BWV 769 - Orch. Stravinsky: Var.IV: In canone all'ottava per augmentationemJohann Sebastian Bach, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Vom Himmel hoch da komm ich her, BWV 769 - Orch. Stravinsky: Var.V: L'altra sorte del canone al rovescioJohann Sebastian Bach, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Prelude and Fugue in E-Flat Major, BWV 552Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa
Gloria, FP 177: I. Gloria in excelsis DeoFrancis Poulenc, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver
Gloria, FP 177: II. Laudamus teFrancis Poulenc, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver
Gloria, FP 177: III. Domine DeusFrancis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver
Seiji Ozawa, the renowned Japanese conductor, left an indelible mark on the world of classical music. Born in Shenyang, China, in 1935, Ozawa's journey began with piano lessons at the age of seven, setting the stage for his illustrious career. He is celebrated for his dynamic interpretations of large-scale Romantic works and his groundbreaking leadership at prestigious orchestras and opera companies worldwide.
Ozawa's tenure as music director of the Boston Symphony Orchestra, spanning nearly three decades, solidified his status as a titan of the classical music scene. Prior to this, he led the Toronto Symphony Orchestra and the San Francisco Symphony, showcasing his versatility and musical prowess. His influence extended beyond North America, with notable stints conducting the Vienna New Year's Concert and serving as director of the Vienna State Opera.
In Japan, Ozawa's contributions were equally profound. He founded the Saito Kinen Orchestra and the Saito Kinen Festival Matsumoto, as well as the Tokyo Opera Nomori, demonstrating his commitment to nurturing musical talent and enriching cultural landscapes. Ozawa's legacy endures as a testament to his passion, innovation, and unwavering dedication to the art of conducting.