Immerse yourself in the world of Robert Schumann with this captivating collection of his piano masterpieces. Recorded in 2001 by the renowned pianist Maurizio Pollini, this album presents a stunning array of Schumann's compositions, showcasing his unique blend of lyricism, virtuosity, and poetic depth.
The album opens with the enchanting "Davidsbündlertänze, Op. 6," a cycle of eighteen pieces that reflect Schumann's inner world and his alter egos, Florestan and Eusebius. Each dance is a miniature masterpiece, ranging from the lively and energetic to the introspective and melancholic. Following this is the "Concert sans Orchestre, Op. 14," also known as the Piano Sonata No. 3, a work that demonstrates Schumann's mastery of the sonata form and his ability to create dramatic and contrasting moods.
The heart of the album is the "Kreisleriana, Op. 16," a set of eight pieces inspired by the fictional character Johannes Kreisler from E.T.A. Hoffmann's novels. This work is a tour de force of piano writing, demanding extraordinary technical skill and emotional range from the performer. The album also includes the "Allegro in B Minor, Op. 8" and the late work "Gesänge der Frühe, Op. 133," a set of five pieces that reflect Schumann's mature style and his deepening spiritual insights.
Throughout the album, Pollini's playing is characterized by its clarity, precision, and expressive power. His interpretations bring out the full range of Schumann's musical language, from the most delicate pianissimos to the most thunderous fortissimos. The recording quality is excellent, capturing the full resonance of the piano and the subtle nuances of Pollini's playing.
This album is a treasure trove for fans of Robert Schumann and classical piano music. It offers a comprehensive overview of Schumann's piano works, from his early experiments with form and expression to his late, profound meditations on life and death. Whether you are a seasoned Schumann enthusiast or a newcomer to his music, this album is sure to delight and inspire.
Davidsbündlertänze, Op. 6 - First Edition (1837): I. LebhaftRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): II. InnigRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): III. Etwas hahnbüchenRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): IV. UngeduldigRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): V. EinfachRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): VI. Sehr rasch und in sich hineinRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): VII. Nicht schnell mit aeusserst starker EmpfindungRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): VIII. FrischRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): IX. [Lebhaft]Robert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): X. Balladenmässig, sehr raschRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XI. EinfachRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XII. Mit HumorRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XIII. Wild und lustigRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XIV. Zart und singendRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XV. FrischRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XVI. Mit gutem HumorRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XVII. Wie aus der FerneRobert Schumann, Maurizio Pollini
Davidsbündlertänze, Op. 6 - First Edition (1837): XVIII. Nicht schnellRobert Schumann, Maurizio Pollini
Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36): I. Allegro brillanteRobert Schumann, Maurizio Pollini
Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36): II. Quasi Variazioni. Andantino de Clara WieckRobert Schumann, Maurizio Pollini
Concert sans Orchestre, Op. 14, Piano Sonata No. 3 - First edition (1835/36): III. Prestissimo possibileRobert Schumann, Maurizio Pollini
Allegro in B Minor, Op. 8Robert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: I. Äusserst bewegtRobert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch - Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo IRobert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: III. Sehr aufgeregtRobert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: IV. Sehr langsamRobert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: V. Sehr lebhaftRobert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: VI. Sehr langsamRobert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: VII. Sehr raschRobert Schumann, Maurizio Pollini
Kreisleriana, Op. 16: VIII. Schnell und spielendRobert Schumann, Maurizio Pollini
Gesänge der Frühe, Op. 133: I. Im ruhigen TempoRobert Schumann, Maurizio Pollini
Gesänge der Frühe, Op. 133: II. Belebt, nicht zu raschRobert Schumann, Maurizio Pollini
Gesänge der Frühe, Op. 133: III. LebhaftRobert Schumann, Maurizio Pollini
Gesänge der Frühe, Op. 133: IV. BewegtRobert Schumann, Maurizio Pollini
Gesänge der Frühe, Op. 133: V. Im Anfang ruhiges, im Verlauf bewegtes TempoRobert Schumann, Maurizio Pollini