Schulhoff: Suite, Concerto Doppio & Songs

Dive into the rich and diverse musical landscape of Erwin Schulhoff with this captivating 2000 release, "Schulhoff: Suite, Concerto Doppio & Songs." This album is a testament to Schulhoff's versatility and innovation, showcasing his unique blend of classical training and modern influences.

The album opens with the Suite for Chamber Orchestra, WV 58, a vibrant and dynamic work that spans a variety of dance-inspired movements, from the playful "Ragtime" to the sultry "Tango." Each piece is a delightful exploration of rhythm and melody, highlighting Schulhoff's knack for blending traditional forms with contemporary sensibilities.

Following the suite, the album presents Four Songs for Soprano with Orchestra Accompaniment, WV 19. These songs are a beautiful showcase of Schulhoff's lyrical prowess, with each piece featuring a different poetic text set to music. The soprano's voice soars above the orchestra, creating a rich and evocative soundscape.

The Three Pieces for String Orchestra, WV 5, offer a more intimate and reflective experience. Each piece is a miniature masterpiece, from the elegiac "Elegie im Stile Edward Griegs" to the whimsical "Pipa tanzt."

The album concludes with the Concerto Doppio for Flute and Piano with Orchestral Accompaniment and Two Horns, WV 89. This work is a tour de force, showcasing Schulhoff's ability to write for multiple soloists and orchestra. The concerto's three movements are a thrilling display of virtuosity and musical invention.

Throughout the album, Schulhoff's unique voice shines through, making this a compelling listen for anyone interested in the intersection of classical and modern music. The performances by Norico Kimura, Wally Hase, Heidi Sophia Hase, Walter Hilgers, and the Tritonus Wimares ensemble are top-notch, bringing Schulhoff's music to life with passion and precision. This album is a wonderful introduction to Schulhoff's music, and a great addition to any classical music collection.

Erwin Schulhoff, born in Prague in 1894, was a pioneering Czech composer and pianist whose career was tragically cut short by the Nazi regime. A true innovator, Schulhoff was one of the first European composers to embrace jazz, incorporating dance forms like ragtime, tango, and foxtrot into his piano works. His music is known for its adventurous and muscular qualities, reflecting his wide range of influences and forward-thinking approach. Despite his premature death in the Wülzburg concentration camp in 1942, Schulhoff's compositions continue to captivate audiences with their power and variety. His legacy as a composer who was ahead of his time endures, making his music a compelling exploration of 20th-century musical evolution.