Pelleas und Melisande, Op. 5, IAS 22: I. AnfangArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: II. HeftigArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: III. LebhaftArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: IV. Sehr raschArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: V. Ein wenig bewegfArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: VI. LangsamArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: VII. Ein wenig bewegterArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: VIII. Sehr langsamArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: IX. Etwas bewegtArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: X. In gehender BewegungArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Pelleas und Melisande, Op. 5, IAS 22: XI. BreitArnold Schoenberg, Sinfonie Orchester des Südwestfunk, Bruno Maderna
Verklärte Nacht, Op. 4, IAS 47: I. GraveArnold Schoenberg, Wiener Symphoniker, Bruno Maderna
Verklärte Nacht, Op. 4, IAS 47: II. Molto rallentandoArnold Schoenberg, Wiener Symphoniker, Bruno Maderna
Verklärte Nacht, Op. 4, IAS 47: III. PesanteArnold Schoenberg, Wiener Symphoniker, Bruno Maderna
Verklärte Nacht, Op. 4, IAS 47: IV. AdagioArnold Schoenberg, Wiener Symphoniker, Bruno Maderna
Kammersymphonie NR. 2 in E-Flat Minor and G Major, Op. 38, IAS 10: I. AdagioArnold Schoenberg, Sinfonie Orchester des Saarrlandischen Rundfunks, Bruno Maderna
Kammersymphonie NR. 2 in E-Flat Minor and G Major, Op. 38, IAS 10: II. Con fuocoArnold Schoenberg, Sinfonie Orchester des Saarrlandischen Rundfunks, Bruno Maderna
Violin Concerto, Op. 36, IAS 48: I. Poco allegro - Poco animatoArnold Schoenberg, Sinfonie Orchester des Saarrlandischen Rundfunks, Bruno Maderna, Christiane Edinger
Violin Concerto, Op. 36, IAS 48: II. Andante grazioso - Poco più mossoArnold Schoenberg, Sinfonie Orchester des Saarrlandischen Rundfunks, Bruno Maderna, Christiane Edinger
Violin Concerto, Op. 36, IAS 48: III. Finale. AllegroArnold Schoenberg, Sinfonie Orchester des Saarrlandischen Rundfunks, Bruno Maderna, Christiane Edinger
Variations For Orchestra, Op. 31, IAS 45: I. Introdukion: Mäßig, ruhigArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: II. Thema: Molto moderatoArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: III. Variation I: ModeratoArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: IV. Variation II: LangsamArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: V. Variation III: MäßigArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: VI. Variation IV: WalzertempoArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: VII. Variation V: BewegtArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: VIII. Variation VI: AndanteArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: IX. Variation VII: LangsamArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: X. Variation VIII: Sehr raschArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: XI. Variation IX: L'istesso tempo, aber etwas langsamerArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Variations For Orchestra, Op. 31, IAS 45: XII. Finale: Mäßig schnelArnold Schoenberg, Sinfonie Orchester des Westdeutsche Rundfunk, Bruno Maderna
Arnold Schoenberg, born in Vienna in 1874, was a revolutionary figure in 20th-century classical music, renowned for his groundbreaking compositions and theoretical innovations. As a composer, Schoenberg was among the first to challenge traditional harmony, pioneering atonality and developing the twelve-tone technique, which uses a specific order of all twelve pitches in the chromatic scale. This method, also known as serialism, had a profound impact on the course of modern music.
Schoenberg's music is characterized by its use of motives to create coherence and his exploration of dissonance. He was also a prolific writer and teacher, influencing generations of composers, including Alban Berg and Anton Webern. Beyond music, Schoenberg was a multifaceted artist who also painted and invented. His legacy extends far beyond his compositions, encompassing his influential teachings and writings that continue to shape the way we understand and create music today. Schoenberg's journey from his early works to his atonal innovations and twelve-tone technique is a testament to his enduring influence on classical music.
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Immerse yourself in the rich, intricate world of Arnold Schoenberg with this compelling 1994 release from Nar Classical. This album is a comprehensive exploration of Schoenberg's orchestral prowess, featuring a diverse collection of his most significant works. Spanning nearly two and a half hours, it offers a deep dive into the composer's evolution and innovation.
The album opens with "Pelleas und Melisande," a symphonic poem that showcases Schoenberg's early tonal language and his ability to convey dramatic narratives through music. Following this is "Verklärte Nacht," a string sextet that transforms a poem by Richard Dehmel into a powerful musical experience, highlighting Schoenberg's expressive depth.
"Chamber Symphony No. 2" demonstrates Schoenberg's mastery of form and structure, blending traditional symphonic elements with his unique compositional voice. The "Violin Concerto" is a standout piece, offering a blend of lyricism and complexity that challenges and delights the ear.
The album concludes with "Variations for Orchestra," a tour-de-force that exemplifies Schoenberg's later style and his pioneering use of atonality. Each variation builds on the last, creating a cohesive and compelling musical journey.
This album is not just a collection of works but a testament to Schoenberg's enduring influence on classical music. It's a perfect addition for those eager to explore the depths of his compositions and understand his impact on the musical landscape.