Immerse yourself in the enchanting world of Othmar Schoeck with this captivating album, a collection of his most evocative works performed by the Berner Symphonie-Orchester under the baton of Mario Venzago. This release showcases Schoeck's mastery of orchestration and his unique voice within the late Romantic tradition.
The album opens with "Sommernacht, Op. 58," a pastoral intermezzo for string orchestra inspired by a poem by Gottfried Keller. This piece sets the tone for the entire album, with its lush harmonies and vivid imagery. Following this is the "Sonate für Bassklarinette, Op. 41," a three-movement sonata that highlights the expressive range of the bass clarinet, performed exquisitely by Bernhard Röthlisberger.
The "Penthesilea Suite, Op. 39," derived from Schoeck's opera of the same name, offers a dramatic contrast. This suite is a powerful exploration of the tragic figure of Penthesilea, queen of the Amazons, and showcases Schoeck's ability to convey intense drama and passion through music.
The album concludes with "Das holde Bescheiden, Op. 62: No. 40, Besuch in Urach," a song cycle that demonstrates Schoeck's sensitivity to the human voice and his skill in setting poetry to music. Soprano Rachel Harnisch delivers a compelling performance, bringing the album to a deeply satisfying close.
Recorded in 2015 and released under the Musiques Suisses label, this album is a testament to Schoeck's enduring appeal and the timeless beauty of his compositions. Whether you're a longtime admirer of Schoeck's work or a newcomer to his music, this album offers a rich and rewarding listening experience.
Othmar Schoeck (1886-1957) was a prominent Swiss composer and conductor, celebrated for his contributions to the late-Romantic era. Born in Brunnen, Schoeck's musical journey was marked by a deep commitment to the art song, or lied, with over 400 songs to his credit. His compositions span a wide range of genres, including operas, choral works, and orchestral pieces, each imbued with a sensuous and stringent style that reflects his German-Austrian influences. Schoeck studied under Max Reger and conducted various choral societies and symphonies throughout his career. Despite his significant contributions, Schoeck remains relatively unknown outside of Switzerland, adding an air of discovery to his music. His works, now increasingly popular, offer a rich exploration of the human experience, making them a captivating addition to any music lover's collection.
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