Dive into the dramatic world of Othmar Schoeck's "Penthesilea," a captivating opera that brings to life the tragic tale inspired by Heinrich von Kleist's play. Originally composed in 1925, this powerful work is presented in a stunning 2016 recording, part of the Walhall Eternity Series. With a runtime of approximately 77 minutes, this album is a testament to Schoeck's mastery of orchestration and vocal expression.
"Penthesilea" is a gripping exploration of love, obsession, and fate, set against the backdrop of the Trojan War. The opera follows the titular queen, Penthesilea, and her ill-fated encounter with the Greek hero Achilles. Schoeck's score is rich and evocative, seamlessly blending intense drama with moments of tender intimacy.
This recording features a stellar cast of vocalists, including Martha Modl and Gustav Grefe, who bring depth and nuance to their respective roles. The ensemble's performances are complemented by a lush orchestral arrangement that underscores the opera's dramatic tension and emotional depth.
The album's tracklist includes pivotal scenes from the opera, such as "Was Gilt's? Dort naht die unheilkunde schon" and "Triumph! Triumph!," each offering a glimpse into the complex characters and their intertwined destinies. Whether you're a seasoned opera enthusiast or new to the genre, "Penthesilea" promises an unforgettable listening experience.
Released on June 10, 2016, this CD is a must-listen for fans of classical music and opera. The meticulous editing by Beat A. Föllmi ensures that every note and lyric is presented with clarity and precision, making this a definitive recording of Schoeck's masterpiece.
Othmar Schoeck (1886-1957) was a prominent Swiss composer and conductor, celebrated for his contributions to the late-Romantic era. Born in Brunnen, Schoeck's musical journey was marked by a deep commitment to the art song, or lied, with over 400 songs to his credit. His compositions span a wide range of genres, including operas, choral works, and orchestral pieces, each imbued with a sensuous and stringent style that reflects his German-Austrian influences. Schoeck studied under Max Reger and conducted various choral societies and symphonies throughout his career. Despite his significant contributions, Schoeck remains relatively unknown outside of Switzerland, adding an air of discovery to his music. His works, now increasingly popular, offer a rich exploration of the human experience, making them a captivating addition to any music lover's collection.
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