Schoeck: Das Holde Bescheiden, Op. 62, Lieder und Gesänge nach Gedichten von Eduard Mörike

Album Description

Immerse yourself in the enchanting world of Othmar Schoeck's final masterpiece for voice and piano, "Das Holde Bescheiden, Op. 62." This captivating album, released in 1993, is a profound exploration of the human condition, beautifully set to the poetry of Eduard Mörike. Comprising 40 songs, it spans nearly two hours, offering a rich and varied listening experience.

The album is performed by an exceptional trio: the legendary Dietrich Fischer-Dieskau, renowned for his profound interpretations of German lieder; Mitsuko Shirai, celebrated for her crystalline soprano; and Hartmut Höll, a master of the piano. Their collective artistry brings Schoeck's intricate compositions to life, each note resonating with depth and nuance.

"Das Holde Bescheiden, Op. 62" is divided into several sections, each exploring different themes: "Natur" (Nature), "Liebe" (Love), "Betrachtung" (Reflection), "Glaube" (Faith), and "Rückblick" (Retrospection). From the serene beauty of "An einem Wintermorgen" to the introspective "Nach dem Kriege," the album traverses a wide range of emotions and landscapes, reflecting the profound connection between Schoeck's music and Mörike's poetry.

This album is a testament to Schoeck's compositional genius, showcasing his ability to weave complex musical narratives that resonate deeply with the listener. Whether you are a seasoned classical music enthusiast or a curious newcomer, "Das Holde Bescheiden, Op. 62" offers a rewarding and enriching experience.

1 januari 1993

About Othmar Schoeck

Othmar Schoeck (1886-1957) was a prominent Swiss composer and conductor, celebrated for his contributions to the late-Romantic era. Born in Brunnen, Schoeck's musical journey was marked by a deep commitment to the art song, or lied, with over 400 songs to his credit. His compositions span a wide range of genres, including operas, choral works, and orchestral pieces, each imbued with a sensuous and stringent style that reflects his German-Austrian influences. Schoeck studied under Max Reger and conducted various choral societies and symphonies throughout his career. Despite his significant contributions, Schoeck remains relatively unknown outside of Switzerland, adding an air of discovery to his music. His works, now increasingly popular, offer a rich exploration of the human experience, making them a captivating addition to any music lover's collection.