Schneider: Fatal Harmonies

Dive into the captivating world of Enjott Schneider's "Fatal Harmonies," a mesmerizing collection of works for cello and orchestra released in 2017. This album, featuring the renowned cellist László Fenyö and the Deutsches Symphonie-Orchester Berlin under the baton of Ariel Zuckermann, showcases Schneider's mastery of composition and his unique ability to blend profound musical narratives with technical brilliance.

The album opens with Schneider's "Concerto No. 1," a three-movement piece that sets the stage for the intricate and evocative compositions that follow. Each movement, from "Emeshe’s Dream" to "Visions," is a testament to Schneider's ability to craft intricate musical landscapes that resonate deeply with the listener.

The centerpiece of the album is "Fatal Harmonies of Black Sweetness," a six-movement suite that explores themes of love, death, and beauty. This work is a highlight of the album, with its rich orchestration and haunting melodies that linger long after the final note fades. The suite includes standout tracks like "Cantilena. La bellezza di Maria d’Avalos" and "Passacaglia della morte. Morire d’asfissia su un’altalena," each offering a unique perspective on the album's overarching themes.

"Sulamith. Danses sacrées" adds a layer of sacred and mystical elements to the album, with movements like "I Am Black, but Comely" and "Love Is Strong as Death" providing a contrast to the more dramatic pieces. The album concludes with two powerful tracks, "Abaddon – Angel of Abyss" and "Lilith," which serve as a fitting finale to this extraordinary collection.

Enjott Schneider's "Fatal Harmonies" is a testament to his artistic vision and his ability to create music that is both intellectually stimulating and deeply moving. With a duration of over an hour and twenty minutes, this album is a rich and rewarding listening experience that will appeal to fans of classical music and those seeking something new and captivating.