Dive into the rich tapestry of early Baroque music with Johann Hermann Schein's "Schein: Opella Nova & Fontana d'Israel," a captivating collection that showcases the composer's mastery of sacred choral works. Released on April 26, 2010, under the Hortus label, this album is a testament to Schein's enduring influence and the timeless beauty of his compositions.
The album spans a little over an hour, featuring a diverse array of pieces that blend intricate polyphony with deeply expressive harmonies. Schein's "Opella Nova" and "Fontana d'Israel" collections are presented here in all their glory, performed by the esteemed ensemble Sagittarius under the direction of Michel Laplénie. The ensemble's meticulous attention to detail and historical authenticity brings these works to life, offering a vivid glimpse into the musical landscape of 17th-century Germany.
Highlights include the stirring "Christ unser Herr zum Jordan kam" and the contemplative "Ich ruf zu dir, Herr Jesu Christ," both from the "Opella Nova" collection. These pieces, along with the psalm settings and other sacred motets, demonstrate Schein's ability to convey profound spiritual themes with both technical virtuosity and emotional depth.
The album also features the enchanting "Christ lag in Todesbanden," a powerful Easter hymn that showcases Schein's skill in crafting memorable melodies and rich harmonies. This piece, along with others like "Aus tiefer Not schrei ich zu dir" and "Vom Himmel hoch, da komm ich her," underscores the composer's enduring legacy and his significant contributions to the development of German sacred music.
Whether you're a seasoned enthusiast of early music or a newcomer to the genre, "Schein: Opella Nova & Fontana d'Israel" offers a rewarding listening experience. The album's high-fidelity recording and the ensemble's impeccable performances make it an essential addition to any music lover's collection.
Johann Hermann Schein, born in Grünhain, Germany, in 1586, was a pioneering figure in the early Baroque era, renowned for his significant contributions to both sacred and secular music. As the Thomaskantor in Leipzig from 1615 until his death in 1630, Schein played a crucial role in shaping the musical landscape of his time. Alongside contemporaries like Heinrich Schütz and Michael Praetorius, he was one of the first to introduce the Italian Baroque style into German music, leaving a lasting impact on the region's musical heritage. Schein's compositions, particularly his sacred works, continue to be celebrated for their innovation and beauty, making him a key figure in the transition from the Renaissance to the Baroque period.
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