Immerse yourself in the rich tapestry of Baroque keyboard music with Samuel Scheidt's "Tabulatura Nova I," a meticulously crafted double album released in 2003. This collection, originally published in 1624, is a cornerstone of early keyboard literature, showcasing Scheidt's mastery and innovation in the genre. The album spans over two hours, featuring a diverse array of compositions that include sacred songs, fantasias, and intricate keyboard works.
Performers Franz Raml and Christina Landshamer bring these historic pieces to life with their exceptional artistry, capturing the essence of Scheidt's compositions. The tracklist is a blend of sacred and secular works, ranging from the contemplative "Wir gleuben all an einen Gott" to the lively "Frantzösisch Liedgen. Cantio Gallica 'Est ce Mars'." Each piece is a testament to Scheidt's versatility and his significant contribution to the Baroque period.
"Tabulatura Nova I" is not just a collection of music; it is a journey through the Baroque era, offering a glimpse into the musical landscape of the 17th century. The album's duration and the variety of compositions make it an ideal choice for those who appreciate the depth and complexity of early keyboard music. Whether you are a seasoned classical music enthusiast or a curious newcomer, this album promises a rewarding listening experience.
Samuel Scheidt, born in Halle in 1587, stands as a titan of the early Baroque era, renowned as both a composer and a virtuoso organist. His influence on the development of German organ music is immeasurable, earning him the title "father of German organ music." Scheidt's innovations in organ tablature revolutionized the way organ music was notated and performed. His compositions, which span sacred music and instrumental works, are celebrated for their mastery of the variation set and their unique blend of styles. Scheidt's legacy endures, inspiring generations of musicians and music enthusiasts alike.
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