Immerse yourself in the grandeur of the Baroque era with Alessandro Scarlatti's masterful opera "Griselda, Op. 114." This monumental work, released in 2003, is the last of Scarlatti's operas to survive completely, offering a rare and comprehensive glimpse into the composer's genius. Spanning three acts and over two hours, this opera seria is a testament to Scarlatti's enduring legacy in the world of classical music.
Composed by the renowned Italian Baroque master, Alessandro Scarlatti, "Griselda, Op. 114" is a rich tapestry of recitatives, arias, and choruses that showcase the depth and breadth of his musical prowess. The opera features a diverse cast of characters, each brought to life through Scarlatti's intricate and expressive compositions. From the hauntingly beautiful arias to the dramatic recitatives, every moment of this opera is a journey through the heights of human passion and drama.
Recorded by the Akademie für Alte Musik Berlin under the direction of René Jacobs, this album captures the essence of Baroque opera with stunning precision and authenticity. The performance is a testament to the skill and dedication of the musicians, who bring Scarlatti's score to life with vibrant energy and historical accuracy.
With a duration of over two hours and twenty minutes, "Griselda, Op. 114" is a substantial and rewarding listening experience. Whether you are a seasoned opera enthusiast or a newcomer to the genre, this album offers a rich and immersive exploration of one of the most significant works in the Baroque opera canon. The detailed tracklist, featuring a variety of vocal and instrumental pieces, ensures that there is something for every taste and preference.
Alessandro Scarlatti's "Griselda, Op. 114" is not just an album; it is a historical and musical treasure. Released on the Harmonia Mundi label, this recording is a must-listen for anyone interested in the rich tapestry of Baroque music. Dive into the world of Alessandro Scarlatti and experience the timeless beauty of "Griselda, Op. 114."
2019 harmonia mundi2003 harmonia mundi
Tracks
Griselda, Op. 114: SinfoniaAlessandro Scarlatti, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 1: Recitativo & Coro. Questo, o Popoli. Or sei grande (Gualtiero)Alessandro Scarlatti, Lawrence Zazzo, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 2: Recitativo. Eccoti, o Sire (Griselda, Gualtiero)Alessandro Scarlatti, Dorothea Röschmann, Lawrence Zazzo, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 2: Aria. In volver ciò che tu brami (Griselda)Alessandro Scarlatti, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 3: Recitativo. Resta, e saprai (Ottone, Griselda, Gualtiero )Alessandro Scarlatti, Dorothea Röschmann, Lawrence Zazzo, Silvia Tro Santafe
Griselda, Op. 114, Atto Primo, Scena 3: Aria. Non sospira l'amor d'un regnante (Gualtiero)Alessandro Scarlatti, Lawrence Zazzo, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 4: Recitativo. Regina, se più badi (Ottone, Griselda)Alessandro Scarlatti, Dorothea Röschmann, Silvia Tro Santafe, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 4: Aria. Nell' aspro mio dolor (Griselda)Alessandro Scarlatti, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 5: Recitativo & Aria. Troppo avvezza è Griselda. Chi Regina (Ottone)Alessandro Scarlatti, Silvia Tro Santafe, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 6 & 7: Sinfonia per lo sbarcoAlessandro Scarlatti, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 6 & 7: Aria. Come presto nel porto crudele (Roberto)Alessandro Scarlatti, Bernarda Fink, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 6 & 7: Recitativo. Germani, e ben entrambi (Corrado, Roberto, Costanza)Alessandro Scarlatti, Bernarda Fink, Kobie Van Rensburg, Veronica Cangemi, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 6 & 7: Aria. Bel labbro, ancor non sai (Costanza)Alessandro Scarlatti, Veronica Cangemi, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 8: Recitativo. L'arcano in te racchiudi (Gualtiero, Corrado)Alessandro Scarlatti, Kobie Van Rensburg, Lawrence Zazzo, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 8: Aria. Vago sei, volto amoroso (Gualtiero)Alessandro Scarlatti, Lawrence Zazzo, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 9: Recitativo & Aria. Omai più (Corrado, Roberto). Godi, bell' alma (Costanza)Alessandro Scarlatti, Kobie Van Rensburg, Bernarda Fink, Veronica Cangemi, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 10 & 11: Recitativo. Roberto, i nostri venti (Corrado, Roberto)Alessandro Scarlatti, Kobie Van Rensburg, Bernarda Fink, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 10 & 11: Aria. Non vi vorrei conoscere (Roberto)Alessandro Scarlatti, Bernarda Fink, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 13: Recitativo. Come! Tu nella reggia (Gualtiero, Griselda)Alessandro Scarlatti, Lawrence Zazzo, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 13: Aria. Che bella tirannia (Gualtiero)Alessandro Scarlatti, Lawrence Zazzo, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 14: Recitativo. Everardo, o soave (Griselda, Ottone)Alessandro Scarlatti, Dorothea Röschmann, Silvia Tro Santafe, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 14: Aria. Di' che sogno o che deliro (Griselda)Alessandro Scarlatti, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 15: Recitatito & Aria. Con beltà sì proterva (Ottone)Alessandro Scarlatti, Silvia Tro Santafe, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 16: Recitativo. Son le regie tue stanze (Corrado, Costanza)Alessandro Scarlatti, Kobie Van Rensburg, Veronica Cangemi, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 16: Aria. Non lasciar d'amar chi t'ama (Corrado)Alessandro Scarlatti, Kobie Van Rensburg, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 17: Recitativo. Pria che d'amarti io lasci (Cstanza, Roberto)Alessandro Scarlatti, Veronica Cangemi, Bernarda Fink, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 17: Aria. Voi sospirate (Costanza)Alessandro Scarlatti, Veronica Cangemi, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Primo, Scena 18: Recitativo & Aria. Chi vide mai destino eguale al moi (Roberto)Alessandro Scarlatti, Bernarda Fink, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 1: Aria. Mi rivedi, o selva ombrosa (Griselda)Alessandro Scarlatti, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 2: Recitativo & Aria. Griselda, anima mia (Ottone, Griselda ). Colomba innamorata (Ottone)Alessandro Scarlatti, Silvia Tro Santafe, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 3: Recitativo. Ho in petto una sol' alma (Griselda, Corrado)Alessandro Scarlatti, Dorothea Röschmann, Kobie Van Rensburg, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 3: Aria. Agitata da fiera procella (Corrado)Alessandro Scarlatti, Kobie Van Rensburg, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 4: Recitativo. Figlio, dove t'ascondo (Griselda, Ottone)Alessandro Scarlatti, Dorothea Röschmann, Silvia Tro Santafe, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 4: Aria. Figlio! Tiranno! O Dio! (Griselda)Alessandro Scarlatti, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 5: Recitatito & Aria. Non giovano lusinghe. Belleze spietate (Ottone)Alessandro Scarlatti, Silvia Tro Santafe, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 6: Recitativo. Ami forse Gualtiero? (Roberto, Costanza)Alessandro Scarlatti, Veronica Cangemi, Bernarda Fink, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 6: Aria. Tu non intendi (Roberto)Alessandro Scarlatti, Bernarda Fink, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 7: Recitativo. Dove, o Roberto? (Gualtiero, Roberto, Costanza)Alessandro Scarlatti, Lawrence Zazzo, Veronica Cangemi, Bernarda Fink, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 7: Aria. Luce mia bella (Gualtiero)Alessandro Scarlatti, Lawrence Zazzo, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 9: Recitativo & Aria. Sì, con Amor mi sdegno. Qualor Tiranno Amore (Costanza)Alessandro Scarlatti, Veronica Cangemi, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 10: Recitativo. È deliquio di core (Griselda)Alessandro Scarlatti, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 10: Aria. Finirà, barbara sorte (Griselda)Alessandro Scarlatti, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 10: Sinfonia di CacciaAlessandro Scarlatti, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 12: Recitativo. Sola, se ben tu parti (Costanza, Griselda)Alessandro Scarlatti, Veronica Cangemi, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 12: Duetto. Non sei quella; eppure il core (Griselda, Costanza)Alessandro Scarlatti, Veronica Cangemi, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 13 & 14: Recitativo. De' tuoi begli occhi è troppo indegno (Gualtiero, Costanza, Griselda)Alessandro Scarlatti, Lawrence Zazzo, Veronica Cangemi, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 13 & 14: Aria. Vorresti col tuo pianto (Gualtiero)Alessandro Scarlatti, Lawrence Zazzo, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 15, 16 & 17: Recitativo. Ecco Otton (Griselda, Ottone, Corrado, Gualtiero, Costanza)Alessandro Scarlatti, Dorothea Röschmann, Veronica Cangemi, Silvia Tro Santafe, Kobie Van Rensburg, Lawrence Zazzo, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Secondo, Scena 15, 16 & 17: Trio. Ti voglio sempre odiar (Gualtiero, Costanza, Griselda)Alessandro Scarlatti, Veronica Cangemi, Lawrence Zazzo, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
Griselda, Op. 114, Atto Terzo, Scena 5: Recitativo. Eccomi innanzi al mio Monarca (Ottone, Gualtiero)Alessandro Scarlatti, Silvia Tro Santafe, Lawrence Zazzo, Akademie für Alte Musik Berlin, René Jacobs
Alessandro Scarlatti, born in Palermo in 1660, stands as one of the most influential figures in Baroque music, particularly renowned for his operatic works and chamber cantatas. Often hailed as the "Italian Orpheus," Scarlatti's compositions laid the groundwork for the Neapolitan school of opera, making him a pivotal figure in the development of classical harmony and the Italian overture. His prolific career spanned over a hundred operas, more than 600 cantatas, and numerous religious works, showcasing his versatility and innovation. Scarlatti's music, characterized by its vividness and singability, reflects his early struggles and relentless drive, making each piece a testament to his genius. His influence extended far beyond his time, inspiring composers like Mozart and leaving an indelible mark on the world of classical music.
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Alessandro Scarlatti
