Mary Halvorson's "Reverse Blue," released on October 7, 2014, under Relative Pitch Records, is a captivating journey into the realms of free jazz and avant-garde, showcasing her distinctive guitar work and innovative compositions. This album, spanning 56 minutes, is a testament to Halvorson's prowess in blending improvisation with structured jazz, creating a sound that is both intellectually stimulating and deeply engaging.
Featuring a stellar lineup including Chris Speed on tenor saxophone and clarinet, Eivind Opsvik on bass, and Tomas Fujiwara on drums, "Reverse Blue" is a quartet effort that thrives on the dynamic interplay between the musicians. The album opens with "Torturer's Reverse Delight," a piece characterized by its rising and falling sonata form, setting the stage for the eclectic mix of tracks that follow. Each song, from the introspective "Insomniac's Delight" to the rhythmic "Rebel's Revue," offers a unique exploration of sound and texture, highlighting Halvorson's ability to push the boundaries of traditional jazz.
The album's title track, "Reverse Blue," exemplifies the group's knack for creating tandem melodies and counter-melodies that weave in and out of each other, creating a rich tapestry of sound. Tracks like "Hako" and "Ordered Thoughts Ceased" further demonstrate the band's versatility, seamlessly transitioning between free improvisation and structured compositions. The album closes with "Resting On Laurels," a fitting finale that encapsulates the essence of "Reverse Blue"—a blend of innovation, skill, and musical exploration.
"Reverse Blue" is not just an album; it's a sonic adventure that challenges and delights in equal measure. Mary Halvorson's visionary approach to jazz, coupled with the exceptional talents of her bandmates, makes this album a standout in the world of avant-garde and free jazz. Whether you're a seasoned jazz enthusiast or a curious newcomer, "Reverse Blue" offers a compelling listen that is sure to leave a lasting impression.