Reubke: The 94th Psalm / Liszt: Fantasy and Fugue on "Ad nos, ad salutarem undam"

Album Description

Simon Preston's 1985 release, "Reubke: The 94th Psalm / Liszt: Fantasy and Fugue on 'Ad nos, ad salutarem undam'," is a captivating journey through the realms of classical and choral music. This album, released under the prestigious Deutsche Grammophon label, showcases Preston's exceptional skill and interpretation of two significant works.

The album opens with Julius Reubke's monumental "Sonata On The 94th Psalm In C Minor," a piece that demands both technical prowess and deep musical insight. Preston's performance is a testament to his artistry, with each movement—from the solemn "Grave" to the fiery "Allegro con fuoco"—rendered with precision and passion. The second half of the album features Franz Liszt's "Fantasy and Fugue on 'Ad nos, ad salutarem undam'," a work that showcases Preston's ability to navigate complex compositions with ease and elegance.

With a total duration of 53 minutes, this album offers a substantial exploration of these two masterpieces. Preston's interpretation brings a fresh perspective to these classic works, making this release a valuable addition to any classical music enthusiast's collection. The album's choral and classical genres are beautifully intertwined, providing a rich and varied listening experience.

1 januari 1985

℗ 1985 Deutsche Grammophon GmbH, Berlin

About Simon Preston

Simon Preston, born in Bournemouth, England, was a revered figure in the world of classical music, renowned for his exceptional skills as an organist, conductor, and composer. His career spanned over five decades, during which he held prestigious positions, including Sub-Organist at Westminster Abbey from 1962 and Organist and Master of the Choristers at Westminster Abbey from 1981 to 1987. Preston's performances were celebrated for their mastery and depth, particularly his interpretations of Olivier Messiaen's works. His discography includes acclaimed recordings of Bach's organ works and Saint-Saëns' Symphony No. 3, showcasing his virtuosity and musical insight. Beyond his recordings, Preston's live performances, such as his debut at the Royal Festival Hall in 1962, solidified his reputation as one of the most important English church musicians of his generation. His legacy continues to inspire both musicians and enthusiasts alike.