The Essence: Nun komm der Heiden Heiland (After J.S. Bach's Prelude in C-Sharp Minor, BWV 849)Natalya Pasichnyk, Calmus Ensemble
The Essence: Nun komm der Heiden Heiland (After J.S. Bach's Fugue in C-Sharp Minor, BWV 849)Natalya Pasichnyk, Calmus Ensemble
Annunciation and Birth: Du meine Seele, singe (After J.S. Bach's Prelude in C Major, BWV 846)Natalya Pasichnyk, Calmus Ensemble
Annunciation and Birth: Allein Gott in der Höh' sei Ehr' (After J.S. Bach's Fugue in C Major, BWV 846)Natalya Pasichnyk, Calmus Ensemble
Annunciation and Birth: Jauchzet, frohlocket! (After J.S. Bach's Prelude in A-Flat Major, BWV 862)Natalya Pasichnyk, Calmus Ensemble
Annunciation and Birth: Wie schön leuchtet der Morgenstern (After J.S. Bach's Fugue in A-Flat Major, BWV 862)Natalya Pasichnyk, Calmus Ensemble
Annunciation and Birth: Gloria in excelsis Deo (After J.S. Bach's Prelude in B-Flat Major, BWV 866)Natalya Pasichnyk, Calmus Ensemble
Annunciation and Birth: Ehre sei dir, Gott, gesungen (After J.S. Bach's Fugue in B-Flat Major, BWV 866)Natalya Pasichnyk, Calmus Ensemble
Annunciation and Birth: In dulci jubilo (After J.S. Bach's Prelude in C-Sharp Major, BWV 848)Natalya Pasichnyk, Calmus Ensemble
Annunciation and Birth: Mein Jesus will es tun (After J.S. Bach's Fugue in C-Sharp Major, BWV 848)Natalya Pasichnyk, Calmus Ensemble
Annunciation and Birth: Prelude (After J.S. Bach's Prelude in A Major, BWV 864)Natalya Pasichnyk
Annunciation and Birth: Fugue (After J.S. Bach's Fugue in A Major, BWV 864)Natalya Pasichnyk
Annunciation and Birth: Schlafe mein Liebster (After J.S. Bach's Prelude in E Major, BWV 854)Natalya Pasichnyk, Calmus Ensemble
Annunciation and Birth: Du Friedefürst, Herr Jesu Christ (After J.S. Bach's Fugue in E Major, BWV 854)Natalya Pasichnyk, Calmus Ensemble
The Teaching: Prelude (After J.S. Bach's Prelude in D Minor, BWV 851)Natalya Pasichnyk
The Teaching: Befiehl du deine Wege (After J.S. Bach's Fugue in D Minor, BWV 851)Natalya Pasichnyk, Calmus Ensemble
The Teaching: Er kennt die rechten Freudenstunde (After J.S. Bach's Prelude in A Minor, BWV 865)Natalya Pasichnyk, Calmus Ensemble
The Teaching: Er kennt die rechten Freudenstunde (After J.S. Bach's Fugue in A Minor, BWV 865)Natalya Pasichnyk, Calmus Ensemble
The Teaching: Was Gott tut, das ist wohlgetan (After J.S. Bach's Prelude in D Major, BWV 850)Natalya Pasichnyk, Calmus Ensemble
The Teaching: Was Gott tut, das ist wohlgetan (After J.S. Bach's Fugue in D Major, BWV 850)Natalya Pasichnyk, Calmus Ensemble
The Teaching: Ach wie flüchtig, ach wie nichtig (After J.S. Bach's Prelude in F-Sharp Minor, BWV 859)Natalya Pasichnyk, Calmus Ensemble
The Teaching: Ach wie flüchtig, ach wie nichtig (After J.S. Bach's Fugue in F-Sharp Minor, BWV 859)Natalya Pasichnyk, Calmus Ensemble
The Teaching: Dies irae (After J.S. Bach's Prelude in C Minor, BWV 847)Natalya Pasichnyk, Calmus Ensemble
The Teaching: Wach auf, wach auf, s'ist hohe Zeit (After J.S. Bach's Fugue in C Minor, BWV 847)Natalya Pasichnyk, Calmus Ensemble
The Teaching: Auf meinen lieben Gott (After J.S. Bach's Prelude in F Minor, BWV 857)Natalya Pasichnyk, Calmus Ensemble
The Teaching: Kyrie eleison (After J.S. Bach's Fugue in F Minor, BWV 857)Natalya Pasichnyk, Calmus Ensemble
The Teaching: Herr Jesu Christ, du höchstes Gut (After J.S. Bach's Prelude in G-Sharp Minor, BWV 863)Natalya Pasichnyk, Calmus Ensemble
The Teaching: Herr Jesu Christ, du höchstes Gut (After J.S. Bach's Fugue in G-Sharp Minor, BWV 863)Natalya Pasichnyk, Calmus Ensemble
The Time Is Coming: Lobet den Herren (After J.S. Bach's Prelude in E-Flat Major, BWV 852)Natalya Pasichnyk, Calmus Ensemble
The Time Is Coming: Heilig, Heilig, Heilig bist du, Herr Gott Zebaoth (After J.S. Bach's Fugue in E-Flat Major, BWV 852)Natalya Pasichnyk, Calmus Ensemble
The Time Is Coming: Prelude (After J.S. Bach's Prelude in E Minor, BWV 855)Natalya Pasichnyk
The Time Is Coming: Fugue (After J.S. Bach's Fugue in E Minor, BWV 855)Natalya Pasichnyk
Passion: Aus liebe will mein Heiland sterben (After J.S. Bach's Prelude in E-Flat Minor, BWV 853)Natalya Pasichnyk, Calmus Ensemble
Passion: Aus tiefer Not schrei ich zu dir (After J.S. Bach's Fugue in E-Flat Minor, BWV 853)Natalya Pasichnyk, Calmus Ensemble
Passion: O, Haupt voll Blut und Wunden (After J.S. Bach's Prelude in B Minor, BWV 869)Natalya Pasichnyk, Calmus Ensemble
Passion: Es ist vollbracht (After J.S. Bach's Fugue in B Minor, BWV 869)Natalya Pasichnyk, Calmus Ensemble
Passion: Christ lag in Todesbanden (After J.S. Bach's Prelude in G Minor, BWV 861)Natalya Pasichnyk, Calmus Ensemble
Passion: Es ist der alte Bund (After J.S. Bach's Fugue in G Minor, BWV 861)Natalya Pasichnyk, Calmus Ensemble
Resurrection and Ascension: Erstanden ist der heilig' Christ (After J.S. Bach's Prelude in G Major, BWV 860)Natalya Pasichnyk, Calmus Ensemble
Resurrection and Ascension: Auf Christi Himmelfahrt allein (After J.S. Bach's Fugue in G Major, BWV 860)Natalya Pasichnyk, Calmus Ensemble
Pentecost: O ewiges Feuer, O Ursprung der Liebe (After J.S. Bach's Prelude in F Major, BWV 856)Natalya Pasichnyk, Calmus Ensemble
Pentecost: Komm, Gott Schöpfer, Heiliger Geist (After J.S. Bach's Fugue in F Major, BWV 856)Natalya Pasichnyk, Calmus Ensemble
Reflection on Death: Liebster Gott, wenn werd ich sterben (After J.S. Bach's Prelude in F-Sharp Major, BWV 858)Natalya Pasichnyk, Calmus Ensemble
Reflection on Death: Alle menschen müßen sterben (After J.S. Bach's Fugue in F-Sharp Major, BWV 858)Natalya Pasichnyk, Calmus Ensemble
Reflection on Death: Die Seele ruht (After J.S. Bach's Prelude in B-Flat Minor, BWV 867)Natalya Pasichnyk, Calmus Ensemble
Reflection on Death: Herr, wie du willt, so schicks mit mir (After J.S. Bach's Fugue in B-Flat Minor, BWV 867)Natalya Pasichnyk, Calmus Ensemble
Reflection on Death: Vor deinen thron tret' ich hiermit (After J.S. Bach's Prelude in B Major, BWV 868)Natalya Pasichnyk, Calmus Ensemble
Reflection on Death: Ein feste Burg ist unser Gott (After J.S. Bach's Fugue in B Major, BWV 868)Natalya Pasichnyk, Calmus Ensemble
Prelude & Fugue in C-Sharp Minor, BWV 849: I. PreludeJohann Sebastian Bach, Natalya Pasichnyk
Prelude & Fugue in C-Sharp Minor, BWV 849: II. FugueJohann Sebastian Bach, Natalya Pasichnyk
Natalya Pasichnyk is a captivating Swedish-Ukrainian classical pianist, born on 13 February 1971, who currently resides in Stockholm. Her repertoire spans a wide range of classical masterpieces, with a particular focus on the works of Johann Sebastian Bach. Pasichnyk's discography includes notable albums such as 'Rethinking the Well-Tempered Clavier' and 'Consolation: Forgotten Treasures of the Ukrainian Soul', both of which showcase her deep musical insight and technical prowess. In addition to her solo work, Natalya has collaborated with esteemed ensembles like the Calmus Ensemble, further enriching her musical journey. Her performances and recordings invite audiences to explore the emotional depth and historical significance of classical piano music.
Rethinking the Well-Tempered Clavier - Natalya Pasichnyk - Vinyl LP
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Natalya Pasichnyk, the renowned Swedish-Ukrainian pianist, presents her latest masterpiece, "Rethinking the Well-Tempered Clavier," a profound exploration of Johann Sebastian Bach's iconic work. Released on January 19, 2024, under the Navona label, this album is a testament to Pasichnyk's extraordinary talent and her unique interpretation of Bach's compositions.
Spanning an impressive 4 hours and 13 minutes, the album features 96 tracks, each a meticulous reimagining of Bach's preludes and fugues from "The Well-Tempered Clavier." Pasichnyk's renditions are not merely technical showcases but deeply personal and spiritual journeys, reflecting her deep connection with the music and its divine inspiration.
The album is organized thematically, with sections titled "The Essence," "Annunciation and Birth," "The Teaching," "The Time Is Coming," "Passion," "Resurrection and Ascension," "Pentecost," and "Reflection on Death." Each section offers a distinct emotional and spiritual landscape, guiding the listener through a comprehensive exploration of human existence and divine inspiration.
Pasichnyk's collaboration with the Calmus Ensemble adds an extra layer of depth to the album, blending the purity of her piano playing with the rich harmonies of the ensemble. The result is a sonic experience that is both intimate and grand, intimate in its attention to detail and grand in its scope and ambition.
"Rethinking the Well-Tempered Clavier" is not just a collection of Bach's works but a fresh perspective on the composer's genius. Natalya Pasichnyk's interpretations bring a new light to these timeless pieces, making this album a must-listen for classical music enthusiasts and anyone seeking a deeper understanding of Bach's enduring legacy.
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Natalya Pasichnyk
