Immerse yourself in the captivating world of Ottorino Respighi's final completed opera, "La Fiamma," a masterful work that showcases the composer's genius and his unique contribution to the classical music canon. This three-act opera, based on Hans Wiers-Jenssen's play "Anne Pedersdotter," is a rare gem that has been beautifully preserved and presented by Hungaroton.
"La Fiamma" is a dramatic exploration of power, betrayal, and the human condition, set against the backdrop of a 16th-century witch hunt. Respighi's score, conducted by Lamberto Gardelli, is a rich tapestry of orchestral and choral textures that bring the story to life with vivid intensity. The opera's libretto, penned by Claudio Guastalla, complements Respighi's music perfectly, creating a cohesive and compelling narrative that will keep you engaged from the first note to the last.
This album features the complete opera, spanning over two hours and fourteen minutes, and includes all three acts in their entirety. Each track is meticulously performed, capturing the essence of Respighi's vision and the dramatic tension of the story. From the haunting melodies of the chorus to the powerful solos of the principal singers, every element of this recording is a testament to the enduring power of Respighi's music.
"La Fiamma" is not just an opera; it is a historical and cultural artifact that offers a glimpse into the mind of one of the 20th century's most innovative composers. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album is sure to captivate and inspire. So, sit back, relax, and let the enchanting world of "La Fiamma" transport you to another time and place.
2015 Hungaroton2015 Hungaroton
Tracks
La fiamma, P. 175, Act I: Nel nome di Dio, Monica, sei tu incantata?Ottorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act I: No, Monica, lascidaOttorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act I: A - Ma chi gridaOttorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act I: Patrizia, e ritornato di BisanzioOttorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act I: O Donello, DonelloOttorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act I: Avanti! Non c'e!Ottorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act II: Udite!Ottorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act II: Monica! Che vuoi?Ottorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act II: E dite al PapaOttorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act II: Voglio che il figlio tuoOttorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act II: Evocare!Ottorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act III: Io sono nata quella notteOttorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act III: Tu, nonna?Ottorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act III: Il buon giorno, figliuloOttorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act III: Tu soffri?Ottorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act III: L'Esarca! Accorri, accorri!Ottorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act III: Donna tu sai l'accusaOttorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
La fiamma, P. 175, Act III: No, no, non assolveraiOttorino Respighi, Klára Takács, Katalin Pitti, Zsuzsa Barlay, Maria Takacs, Anna Bogdany, Eszter Poka, Ilona Tokody, Peter Kelen, Maria Temesi, Kolos Kováts, Sandor Sòlyom-Nagy, József Gregor, Istvan Basky, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
Ottorino Respighi, born in Bologna in 1879, was a versatile and influential figure in the world of classical music, serving as a composer, musicologist, and conductor. A key member of the "Generazione dell'Ottanta," Respighi was part of a group of Italian musicians who revitalised the country's musical landscape. His compositions, though eclectic and influenced by various European styles, are most celebrated for his series of symphonic poems inspired by the eternal city of Rome. Among these, "I Pini di Roma" stands out as his most renowned and frequently recorded work. Respighi's musical journey began in his hometown, where he studied under notable figures like Giuseppe Martucci. His legacy endures as a testament to his innovative spirit and deep connection to Italy's rich cultural heritage.