Quando Stanno Morendo

Album Description

Dive into the avant-garde world of Luigi Nono with his profound and politically charged album, "Quando Stanno Morendo." Released in 2002 by col legno, this collection is a testament to Nono's innovative compositional style and his deep engagement with social and political themes.

The album features a variety of vocal and instrumental pieces, showcasing Nono's mastery of texture, timbre, and electronic sound. The centerpiece is the extended work "Quando Stanno Morendo. Diario Polacco No.2," a series of haunting and powerful compositions for four female voices, bass flute, cello, and live electronics. This work, composed in 1982, is a poignant reflection on the struggles and resilience of the Polish people, with texts curated by Massimo Cacciari and drawn from the works of Endre Ady and Aleksander Blok.

Accompanying this are other significant works like "Canciones para Silvia," "¿dónde estás, hermano?," and "Djamila Boupachà," each exploring different vocal and instrumental configurations to create a rich and varied sonic landscape. The album is performed by the Neue Vocalsolisten Stuttgart, with Manfred Schreier conducting, and features tenor vocals by Bernhard Gärtner and Martin Nagy.

With a duration of just over an hour, "Quando Stanno Morendo" is a compelling exploration of Nono's later works, offering a blend of vocal artistry, electronic experimentation, and deep emotional resonance. Whether you're a longtime fan of avant-garde music or a newcomer looking to explore its boundaries, this album is a captivating journey into the heart of Nono's creative vision.

1 januari 2002

2008 col legno Beteiligungs- und Produktion GmbH

2002 DeutschlandRadio, Musik der Jahrhunderte, col legno Beteiligungs- und Produktion GmbH

About Luigi Nono

Luigi Nono, born in Venice in 1924, was a pioneering figure in the world of avant-garde classical music. Throughout his career, Nono was known for his innovative approach to composition, exploring electronic, aleatory, and serial music techniques. His work is marked by a deep sense of social and political engagement, reflecting his belief that music should be a force for contemporary change. Nono's compositions, spanning from the 1950s until his death in 1990, are celebrated for their musical richness and their ability to challenge and inspire. Beyond his musical achievements, Nono's legacy is also tied to his roots in the Venetian artistic tradition, with his great uncle Urbano being a notable sculptor. His body of work continues to influence and captivate audiences, making him a seminal figure in the realm of avant-garde music.