Dive into the rich tapestry of Russian opera with Ewa Podles' captivating album "Russian Arias." Released in 2002, this collection showcases the extraordinary range and power of Podles' voice, accompanied by the Philharmonia of Russia under the baton of Constantine Orbelian. The album spans a duration of one hour, featuring a selection of arias that highlight the depth and drama of Russian operatic tradition.
Ewa Podles, renowned for her mezzo-soprano vocals, delivers a stunning performance that brings to life iconic pieces from operas such as "Prince Igor," "Alexander Nevsky," and "The Maid of Orleans." The album includes a mix of well-known arias and lesser-heard gems, providing a comprehensive journey through the Russian operatic repertoire. From the haunting beauty of "Merknet svet dnevnoy" from "Prince Igor" to the powerful "Moskva (Moscow)," each track offers a unique glimpse into the artistic genius of Russian composers.
The album is a testament to Podles' versatility and mastery of her craft, making it a standout addition to any classical music collection. Whether you're a seasoned opera enthusiast or a newcomer to the genre, "Russian Arias" offers an unforgettable listening experience that celebrates the timeless beauty of Russian opera.
Ewa Maria Podleś was a Polish coloratura contralto singer renowned for her extraordinary vocal agility and an impressive range spanning over three octaves. Born in Warsaw in 1952, Podleś's career took her to the world's most prestigious stages, including the Metropolitan Opera, Teatro alla Scala, and the Royal Opera House. She was celebrated for her performances in Rossini roles such as Rosina in "Il barbiere di Siviglia" and the title roles in "La Cenerentola" and "Tancredi." Her unique voice also allowed her to excel in Handel's castrato roles, like Rinaldo and Giulio Cesare. Podleś's powerful and versatile voice made her one of the most authentic contraltos of her generation, earning her widespread acclaim from critics and audiences alike. Her legacy continues to inspire, showcasing the incredible potential of the contralto voice.
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