- Albums
- plenty, plenty soul - milt jackson
Plenty, Plenty Soul
- 1989
- 7 tracks
- 41 min
- hard bop
Album Description
Milt Jackson's 'Plenty, Plenty Soul' is a masterclass in jazz, blending the intricate nuances of hard bop, bebop, and cool jazz with the soulful undertones of jazz blues. Released on 1 January 1989 via Rhino Atlantic, this 41-minute album is a testament to Jackson's skill as a musician. The tracklist, featuring iconic pieces such as 'Plenty, Plenty Soul', 'Boogity Boogity', and 'The Spirit-Feel', showcases Jackson's ability to craft captivating melodies and harmonies. With its mono recordings, 'Plenty, Plenty Soul' presents a unique listening experience, allowing the listener to appreciate the raw, unbridled energy of Milt Jackson's performance. As you delve into the world of 'Plenty, Plenty Soul', you will discover a rich tapestry of sound, woven from the threads of Jackson's exceptional artistry and the enduring spirit of jazz.
Tracks
- Plenty, Plenty Soul - MonoMilt Jackson
- Boogity Boogity - MonoMilt Jackson
- Heartstrings - MonoMilt Jackson
- Sermonette - MonoMilt Jackson
- The Spirit-Feel - MonoMilt Jackson
- Ignunt Oil - MonoMilt Jackson
- Blues at Twilight - MonoMilt Jackson
About Milt Jackson
Milt Jackson, affectionately nicknamed "Bags," was a pioneering force in jazz, renowned for his virtuosic skills on the vibraphone and his ability to blend various styles seamlessly. Born in Detroit, Michigan, Jackson's career spanned over five decades, during which he collaborated with some of the most influential figures in jazz, including Dizzy Gillespie, Thelonious Monk, Miles Davis, and John Coltrane. His work with the Modern Jazz Quartet, which he co-founded, is particularly celebrated for its cool, swinging solos and innovative compositions. Jackson's versatility allowed him to excel in hard bop, bebop, cool jazz, and jazz blues, making him a true master of the genre. His legacy as a NEA Jazz Master and a pioneer of bebop continues to inspire musicians and fans alike, cementing his place as one of the most celebrated vibraphonists in jazz history.
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