"Pika-Don," released in 2004 by James Tenney, is a compelling exploration of avant-garde and minimalist music, showcasing the innovative compositions of one of the most influential figures in experimental music. This album, performed by the Maelström Percussion Ensemble under the direction of Jan Williams, offers a unique auditory experience that spans a variety of styles and techniques.
The album begins with "Rune (1988)," a piece that sets the tone for the rest of the collection with its intricate and rhythmic complexity. "Maximusic (1965)" follows, providing a stark contrast with its minimalist approach and repetitive patterns. The "Three Pieces For Drum Quartet (1974/75)" section includes "Wake For Charles Ives," "Hocket for Henry Cowell," and "Crystal Canon for Edgar Varèse," each piece paying homage to different pioneers in the field of experimental music.
The centerpiece of the album is "Pika-Don," divided into two parts: "Alamogordo" and "Hiroshima." These pieces are a powerful commentary on the atomic age, using percussion and tape to create a haunting and evocative soundscape. The album's duration of 66 minutes ensures a comprehensive journey through Tenney's musical vision, making it a significant addition to any collection of experimental and avant-garde music.