Pierre de la rue: Missa "l'homme armé", Requiem

Album Description

Immerse yourself in the enchanting world of medieval choral music with Pierre de la Rue's "Missa 'l'Homme armé', Requiem." Released on July 31, 2007, this album is a captivating journey through the sacred and solemn compositions of one of the most renowned composers of the Renaissance era. Pierre de la Rue, a master of his craft, presents a profound exploration of faith and devotion through his intricate and moving works.

The album features two major pieces: the "Missa 'l'Homme armé'" and the "Requiem." The "Missa 'l'Homme armé'" is a polyphonic masterpiece, showcasing de la Rue's exceptional ability to weave complex vocal lines into a harmonious whole. The "Requiem," a deeply spiritual and contemplative work, offers a poignant reflection on mortality and the afterlife.

Performed by the esteemed Ensemble Clément Janequin under the direction of Dominique Visse, this album is a testament to the enduring power of medieval music. The ensemble's precise and expressive performances bring de la Rue's compositions to life, revealing the depth and beauty of his musical vision.

With a duration of 48 minutes, this album is a perfect introduction to the world of medieval choral music. Whether you are a seasoned enthusiast or a newcomer to the genre, "Missa 'l'Homme armé', Requiem" offers a rich and rewarding listening experience. The album's intricate harmonies, profound lyrics, and masterful performances make it a standout in the realm of classical music.

July 31, 2007

2006 harmonia mundi s.a.

About Pierre de la Rue

Pierre de la Rue, born around 1460, was a renowned Franco-Flemish composer and singer of the Renaissance, celebrated for his significant contributions to the polyphonic style that flourished in the Netherlands around 1500. A contemporary of the legendary Josquin des Prez, de la Rue's music was highly prized at the Habsburg-Burgundian court, where he served as the pre-eminent composer under Duke Philip 'the Fair' of Burgundy. His compositions, which include the influential 'Missa pro defunctis' — one of the earliest polyphonic settings of the requiem — showcase his mastery of choral and sacred music. De la Rue's work is a testament to the rich musical heritage of the late fifteenth and early sixteenth centuries, making him a pivotal figure in the history of Renaissance music.