Pierre de la Rue: Masses

Album Description

Immerse yourself in the sacred and intricate world of Renaissance polyphony with "Pierre de la Rue: Masses," a stunning collection of works by the esteemed Franco-Flemish composer Pierre de la Rue. Released in 2019 on the Fra Bernardo label, this album spans over two hours and features a rich tapestry of choral compositions that showcase de la Rue's mastery of the medieval and requiem genres.

The album presents a meticulous selection of masses, each rooted in traditional monadic models, offering a profound exploration of de la Rue's musical genius. From the solemn introspection of the "Missa pro fidelibus defunctis" to the vibrant energy of the "Missa L'homme armé à 4," every track is a testament to de la Rue's versatility and depth. The album includes a variety of liturgical pieces, such as the "Kyrie," "Gloria," "Credo," "Sanctus," and "Agnus Dei," each performed with exquisite precision and devotion by The Sound and the Fury.

Pierre de la Rue, known for his diverse repertoire that includes motets, Magnificats, and chansons, brings a unique blend of solemnity and beauty to these sacred compositions. The performances on this album are brought to life by a stellar ensemble of vocalists, including Carmigiani, Potter, Wegmann, Schmidt, and Schwinghammer, each contributing their exceptional talents to create a cohesive and captivating musical experience.

Whether you are a seasoned enthusiast of Renaissance music or a curious explorer of medieval choral works, "Pierre de la Rue: Masses" offers a profound and enriching listening experience. Dive into the timeless beauty of these sacred compositions and let the ethereal voices of The Sound and the Fury transport you to a world of spiritual and musical transcendence.

18 januari 2019

2019 Fra Bernardo

About Pierre de la Rue

Pierre de la Rue, born around 1460, was a renowned Franco-Flemish composer and singer of the Renaissance, celebrated for his significant contributions to the polyphonic style that flourished in the Netherlands around 1500. A contemporary of the legendary Josquin des Prez, de la Rue's music was highly prized at the Habsburg-Burgundian court, where he served as the pre-eminent composer under Duke Philip 'the Fair' of Burgundy. His compositions, which include the influential 'Missa pro defunctis' — one of the earliest polyphonic settings of the requiem — showcase his mastery of choral and sacred music. De la Rue's work is a testament to the rich musical heritage of the late fifteenth and early sixteenth centuries, making him a pivotal figure in the history of Renaissance music.