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Philippe de Vitry
Philippe de Vitry, a luminary of the medieval era, was a multifaceted genius who wore many hats: composer, poet, music theorist, and bishop. Born in Paris in 1291, he left an indelible mark on the world of music with his innovative compositions and groundbreaking theoretical works. De Vitry is most renowned for his treatise "Ars Nova," which not only lent its name to the musical style of the late medieval period but also revolutionized the way music was understood and composed. His works, steeped in the ars nova style, continue to captivate audiences and scholars alike, offering a glimpse into the rich tapestry of medieval music. Beyond his musical prowess, de Vitry's poetic and administrative contributions further cement his legacy as a true polymath of his time.
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Immerse yourself in the rich tapestry of medieval music with "Philippe De Vitry and the Ars Nova," a captivating collection of 14th-century motets. This album, released in 1991 under the Saydisc label, showcases the groundbreaking work of Philippe de Vitry, a pivotal figure in the evolution of medieval music. De Vitry, a French composer and theorist, was a pioneer of the Ars Nova style, characterized by its rhythmic complexity and innovative techniques.
The Orlando Consort, renowned for their meticulous interpretations of early music, brings these historic pieces to life with their signature precision and artistry. Each of the 19 tracks on this album is a testament to de Vitry's ingenuity, featuring intricate polyphony and a blend of Latin and French texts. The motets span a variety of themes, from religious devotion to secular love, offering a comprehensive glimpse into the musical and cultural landscape of the 14th century.
With a total runtime of 59 minutes, this album is a treasure trove for enthusiasts of medieval music and early polyphony. Whether you're a seasoned listener or new to the genre, "Philippe De Vitry and the Ars Nova" promises an enlightening and enjoyable exploration of one of history's most influential musical eras.
