'Phase/Transitions' is a captivating exploration into the realms of drone, avant-garde, minimalism, ambient, and experimental music, presented by the esteemed Pauline Oliveros. Released on 15 November 2014 under the Pogus label, this album is a testament to Oliveros' innovative spirit and her collaborators' technical prowess. Spanning 57 minutes across 12 tracks, 'Phase/Transitions' is a sonic journey that defies conventional genres and expectations.
At the heart of this album are the unique instruments and techniques employed by the artists. Pauline Oliveros contributes with her V-Accordion, an electronic wind instrument that she has pioneered, while Doug Van Nort brings his Granular-feedback Expanded Instrument System (GREIS) to the table, creating intricate electronic textures. Jonas Braasch's soprano saxophone adds a human touch to the electronic landscape, providing a stark contrast and a sense of warmth.
The album's artwork is as innovative as its music. David Whalen's digital paintings, created using his custom-made Jamboxx instrument, transform breath and head motions into digital expression, adding a visual dimension to the auditory experience. The graphic design by Doug Van Nort complements the artwork, creating a cohesive and immersive package.
'Phase/Transitions' is not just a collection of tracks but a carefully curated set of electro-acoustic improvisations. Each track, from the opening 'Sublimation' to the closing 'Then we were not there', offers a unique sonic experience, inviting the listener to explore the boundaries of sound and music. Whether you're a seasoned fan of experimental music or a curious newcomer, 'Phase/Transitions' promises an engaging and thought-provoking listening experience.
Pauline Oliveros, a pioneering American composer and accordionist, stands as a titan in the realms of experimental and electronic music. Born in Houston, Texas, in 1932, Oliveros was a proud lesbian and feminist whose innovative spirit blazed trails through the avant-garde, drone, minimalism, and ambient genres. She was renowned for her groundbreaking mixed-media compositions in the 1960s, seamlessly blending diverse musical elements and technologies. Oliveros was not just a composer but also a lecturer, theorist, and writer, leaving an indelible mark with her influential 1984 text "Software for People." Her deep listening practice, designed to enhance performers' responsiveness to their environment, further cemented her legacy as a visionary in the music world. Oliveros's journey was one of continuous evolution, making her a true icon in the development of post-war experimental and electronic art music.
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