Parker / Haslam / Edwards

Album Description

Dive into the world of avant-garde jazz with "Parker / Haslam / Edwards," a captivating live album by Evan Parker, George Haslam, and John Edwards. Released on January 1, 2001, via Slam Productions, this album is a testament to the power of improvisation and the raw energy of live performance. The album features six tracks, each showcasing the unique talents of these renowned musicians.

Evan Parker, a master of the soprano saxophone, shares the stage with George Haslam, who deftly handles the baritone saxophone and tarogato, and John Edwards, a virtuoso on the double bass. The album begins with solo performances from each artist, allowing them to establish their individual voices before coming together in dynamic duets and trios.

The album's standout feature is its unedited live concert format, capturing the spontaneity and unpredictability of the performance. The tracks range from intimate solo pieces to powerful ensemble performances, demonstrating the artists' ability to communicate and collaborate in real-time. The album's duration of 1 hour and 13 minutes ensures that listeners are fully immersed in the experience from start to finish.

"Parker / Haslam / Edwards" is a must-listen for fans of free jazz and avant-garde music. The album's raw, unfiltered sound and the artists' exceptional skill make it a standout release in the genre. Whether you're a seasoned jazz enthusiast or a curious newcomer, this album offers a unique and engaging listening experience.

January 1, 2001

2001 SLAM Productions

About Evan Parker

Evan Parker is a pioneering British saxophonist renowned for his innovative approach to free improvisation. Born in Bristol in 1944, Parker began playing the saxophone at the age of 14 and has since become a seminal figure in the European free music scene. Known for his distinctive sound and fluid development of multiphonic techniques, Parker has consistently pushed the boundaries of what is possible on the tenor and soprano saxophones. His collaborations, notably with the Spontaneous Music Ensemble and a vast array of percussionists and electronic musicians, have solidified his status as one of the most influential and recognizable artists in avant-garde and free jazz. Parker's music is not just about notes; it's about creating a constantly evolving sonic landscape that challenges and engages the listener.