Immerse yourself in the resplendent world of Giovanni Pierluigi da Palestrina, one of the most revered composers of the late 16th century, with this comprehensive collection that encapsulates the zenith of Renaissance musical perfection. "Palestrina - Twilight of the Italian Renaissance" is a monumental journey through the composer's most celebrated works, meticulously curated to showcase his unparalleled mastery of balance, proportion, and harmonic richness.
Spanning over three hours, this album is a testament to Palestrina's enduring legacy, featuring a diverse array of sacred and secular compositions that highlight his innovative techniques and profound spiritual depth. From the intricate polyphony of his masses to the serene beauty of his motets and madrigals, each track offers a unique glimpse into the composer's genius and the cultural milieu of the Italian Renaissance.
The album begins with selections from Palestrina's "Missarum liber quintus," including the sublime "Missa sine nomine," which exemplifies his ability to weave complex vocal lines into a seamless tapestry of sound. The collection also includes the hauntingly beautiful "Missa pro defunctis," a requiem mass that showcases Palestrina's sensitivity and emotional range. Other highlights include the ethereal "Ave Maria" and the uplifting "Missa 'Papae Marcelli'," a work that has been celebrated for its clarity and structural integrity.
In addition to his sacred compositions, the album features a selection of Palestrina's secular works, including madrigals from "Il primo libro de madrigali a 5" and motets from "Motettorum liber quartus." These pieces offer a contrasting perspective on the composer's versatility and his ability to adapt his style to different genres and contexts.
"Palestrina - Twilight of the Italian Renaissance" is a must-listen for anyone interested in the rich tapestry of Renaissance music and the enduring legacy of Giovanni Pierluigi da Palestrina. This album is a celebration of the composer's life and work, offering a comprehensive overview of his contributions to the musical canon and his enduring influence on generations of composers. Whether you are a seasoned enthusiast of classical music or a curious newcomer, this collection is sure to captivate and inspire.
Palestrina: Missarum liber quintus: No. 8, Missa sine nomine a 6: I. KyrieGiovanni Pierluigi da Palestrina, Concerto Palatino, Bruce Dickey
Palestrina: Missarum liber quintus: No. 8, Missa sine nomine a 6: II. GloriaGiovanni Pierluigi da Palestrina, Concerto Palatino, Bruce Dickey
Palestrina: Missarum liber quintus: No. 8, Missa sine nomine a 6: III. SanctusGiovanni Pierluigi da Palestrina, Concerto Palatino, Bruce Dickey
Palestrina: Missarum liber quintus: No. 8, Missa sine nomine a 6: IV. BenedictusGiovanni Pierluigi da Palestrina, Concerto Palatino, Bruce Dickey
Palestrina: Missarum liber quintus: No. 8, Missa sine nomine a 6: V. Agnus DeiGiovanni Pierluigi da Palestrina, Concerto Palatino, Bruce Dickey
Palestrina: Cappella Giulia MS Baini II: Ave Maria a 8Giovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
Palestrina: Missa pro defunctis: I. Introitus - Requiem aeternamGiovanni Pierluigi da Palestrina, Chanticleer
Palestrina: Missa pro defunctis: II. KyrieGiovanni Pierluigi da Palestrina, Chanticleer
Palestrina: Missa pro defunctis: III. Offertorium - Domine Jesu ChristeGiovanni Pierluigi da Palestrina, Chanticleer
Palestrina: Missa pro defunctis: IV. Sanctus - BenedictusGiovanni Pierluigi da Palestrina, Chanticleer
Palestrina: Missa pro defunctis: V. Agnus DeiGiovanni Pierluigi da Palestrina, Chanticleer
Palestrina: Ricercare del primo tuonoGiovanni Pierluigi da Palestrina, Jean Rondeau
Palestrina: Collegio Romano MS 2852: Alma redemptorisGiovanni Pierluigi da Palestrina, Edward Higginbottom, Choir of New College, Oxford
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": I. KyrieGiovanni Pierluigi da Palestrina, Choir of King's College, Cambridge, Sir David Willcocks
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": II. GloriaGiovanni Pierluigi da Palestrina, Choir of King's College, Cambridge, Sir David Willcocks
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": III. CredoGiovanni Pierluigi da Palestrina, Choir of King's College, Cambridge, Sir David Willcocks
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": IV. Sanctus - HosannaGiovanni Pierluigi da Palestrina, Choir of King's College, Cambridge, Sir David Willcocks
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": V. BenedictusGiovanni Pierluigi da Palestrina, Choir of King's College, Cambridge, Sir David Willcocks
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": VI. Agnus Dei IGiovanni Pierluigi da Palestrina, Choir of King's College, Cambridge, Sir David Willcocks
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": VII. Agnus Dei IIGiovanni Pierluigi da Palestrina, Choir of King's College, Cambridge, Sir David Willcocks
Palestrina: Beata es Virgo MariaGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 1, Vergine bellaGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 2, Vergine saggiaGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 3, Vergine puraGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 4, Vergine santaGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 5, Vergine solaGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 6, Vergine chiaraGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 7, Vergine quante lagrimeGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Il primo libro de madrigali a 5: Stanze sopra la Vergine: No. 8, Vergine tale è terraGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul Hillier
Palestrina: Offertoria totius anni: No. 5, Tui sunt caeliGiovanni Pierluigi da Palestrina, Philip Ledger, Choir of King's College, Cambridge
Palestrina: Missa "Assumpta est Maria": I. KyrieGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
Palestrina: Missa "Assumpta est Maria": II. GloriaGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
Palestrina: Missa "Assumpta est Maria": III. CredoGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
Palestrina: Missa "Assumpta est Maria": IV. SanctusGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
Palestrina: Missa "Assumpta est Maria": V. BenedictusGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
Palestrina: Missa "Assumpta est Maria": VI. Agnus Dei IGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
Palestrina: Missa "Assumpta est Maria": VII. Agnus Dei IIGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
Palestrina: Motettorum liber tertius: No. 22, Haec diesGiovanni Pierluigi da Palestrina, Choir of King's College, Cambridge, Sir David Willcocks
Palestrina: Missarum liber nonus: No. 2, Missa "Veni sponsa Christi": I. KyrieGiovanni Pierluigi da Palestrina, Choir of St. John's College, Cambridge, George Guest
Palestrina: Missarum liber nonus: No. 2, Missa "Veni sponsa Christi": II. GloriaGiovanni Pierluigi da Palestrina, Choir of St. John's College, Cambridge, George Guest
Palestrina: Missarum liber nonus: No. 2, Missa "Veni sponsa Christi": III. CredoGiovanni Pierluigi da Palestrina, Choir of St. John's College, Cambridge, George Guest
Palestrina: Missarum liber nonus: No. 2, Missa "Veni sponsa Christi": IV. SanctusGiovanni Pierluigi da Palestrina, Choir of St. John's College, Cambridge, George Guest
Palestrina: Missarum liber nonus: No. 2, Missa "Veni sponsa Christi": V. BenedictusGiovanni Pierluigi da Palestrina, Choir of St. John's College, Cambridge, George Guest
Palestrina: Missarum liber nonus: No. 2, Missa "Veni sponsa Christi": VI. Agnus Dei IGiovanni Pierluigi da Palestrina, George Guest, Choir of St. John's College, Cambridge
Palestrina: Missarum liber nonus: No. 2, Missa "Veni sponsa Christi": VII. Agnus Dei II (With Plainsong)Giovanni Pierluigi da Palestrina, George Guest, Choir of St. John's College, Cambridge
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": I. KyrieGiovanni Pierluigi da Palestrina, Edward Higginbottom, Choir of New College, Oxford
Palestrina: Motettorum liber quartus "Canticum canticorum": No. 2, Trahe me post teGiovanni Pierluigi da Palestrina, Chanticleer
Palestrina: Motettorum liber quartus "Canticum canticorum": No. 3, Nigra sum, sed formosaGiovanni Pierluigi da Palestrina, Chanticleer
Palestrina: Motettorum liber quartus "Canticum canticorum": No. 15, Surge, propera amica meaGiovanni Pierluigi da Palestrina, Chanticleer
Palestrina: Motettorum liber quartus "Canticum canticorum": No. 16, Surge, amica meaGiovanni Pierluigi da Palestrina, Chanticleer
Giovanni Pierluigi da Palestrina, a titan of late Renaissance music, stands as the quintessential representative of the Roman School, alongside Orlande de Lassus and Tomás Luis de Victoria. Born around 1525 in Palestrina, near Rome, Palestrina's compositions, including over 105 masses and 250 motets, have echoed through centuries, embodying the pinnacle of sacred polyphonic perfection. His mastery of counterpoint and modal harmony not only defined the Roman Catholic Church's musical landscape during the Counter-Reformation but also influenced the broader development of Western music. Palestrina's works, characterized by their clarity and emotional depth, continue to inspire and captivate audiences, making him an enduring figure in the world of classical music.