Othmar Schoeck: Vom Fischer un syner Fru, Op. 43

Dive into the enchanting world of Othmar Schoeck's "Vom Fischer un syner Fru, Op. 43," a dramatic cantata that brings to life the timeless Grimm Brothers' fairy tale. Released on December 14, 2018, via Claves Records, this 36-minute masterpiece is a captivating journey through music, narrating the tale of a fisherman and his wife, their encounters with mystical beings, and their insatiable desires.

Composed by the Swiss maestro Othmar Schoeck, this cantata is a testament to his unique compositional style, blending rich harmonies and vivid orchestration. The work is divided into seven vivid scenes, each depicting a different episode from the story, interspersed with six interludes that provide a musical bridge between the narrative segments.

The album features the Musikkollegium Winterthur, conducted by Mario Venzago, delivering a powerful and nuanced performance that brings Schoeck's score to life. The ensemble's precision and expressiveness are evident throughout, from the hauntingly beautiful "Vorspiel" to the dramatic climax of the final scene.

"Vom Fischer un syner Fru, Op. 43" is not just a retelling of a classic tale but a deep exploration of human nature, greed, and the consequences of unchecked ambition. Schoeck's music paints a vivid picture of the story, immersing the listener in a world of magic and intrigue.

This album is a treasure for fans of classical music and storytelling, offering a unique blend of narrative and musical innovation. Whether you're a longtime admirer of Schoeck's work or a newcomer to his compositions, "Vom Fischer un syner Fru, Op. 43" is sure to captivate and inspire.

Othmar Schoeck (1886-1957) was a prominent Swiss composer and conductor, celebrated for his contributions to the late-Romantic era. Born in Brunnen, Schoeck's musical journey was marked by a deep commitment to the art song, or lied, with over 400 songs to his credit. His compositions span a wide range of genres, including operas, choral works, and orchestral pieces, each imbued with a sensuous and stringent style that reflects his German-Austrian influences. Schoeck studied under Max Reger and conducted various choral societies and symphonies throughout his career. Despite his significant contributions, Schoeck remains relatively unknown outside of Switzerland, adding an air of discovery to his music. His works, now increasingly popular, offer a rich exploration of the human experience, making them a captivating addition to any music lover's collection.