Immerse yourself in the enchanting world of classical song with Othmar Schoeck's "Der Postillon, Op. 18 - Lieder und Chorwerke," a captivating collection of songs and choral works that showcase the composer's mastery of the German Lied tradition. Released in 1988 by Jecklin, this album features a stunning array of pieces that span Schoeck's career, from his early works like "Der Postillon" to later compositions such as "Der Sänger" from Op. 57.
The album boasts a stellar lineup of performers, including the renowned tenor Ernst Haefliger and the esteemed conductor Karl Grenacher, who bring Schoeck's music to life with their exquisite artistry. The Wettinger Kammerorchester provides rich, nuanced accompaniment, elevating each piece to new heights of expressiveness.
With a duration of 43 minutes, this album offers a concise yet comprehensive exploration of Schoeck's songwriting prowess. From the playful "Der Postillon" to the tender "Marienlied" and the evocative "Septembermorgen," each track is a testament to Schoeck's unique voice and his deep understanding of the human condition. The album also includes several lesser-known works, such as "Agnes" and "'s Seeli," providing a rare opportunity to discover hidden gems from Schoeck's extensive catalog.
Recorded in Switzerland, this album captures the essence of Schoeck's music in its natural habitat, offering listeners an authentic and immersive experience. Whether you're a seasoned classical enthusiast or a newcomer to the world of German Lieder, "Der Postillon, Op. 18 - Lieder und Chorwerke" is sure to delight and inspire. So, sit back, relax, and let the enchanting melodies and harmonies of Othmar Schoeck transport you to a world of musical bliss.
Othmar Schoeck (1886-1957) was a prominent Swiss composer and conductor, celebrated for his contributions to the late-Romantic era. Born in Brunnen, Schoeck's musical journey was marked by a deep commitment to the art song, or lied, with over 400 songs to his credit. His compositions span a wide range of genres, including operas, choral works, and orchestral pieces, each imbued with a sensuous and stringent style that reflects his German-Austrian influences. Schoeck studied under Max Reger and conducted various choral societies and symphonies throughout his career. Despite his significant contributions, Schoeck remains relatively unknown outside of Switzerland, adding an air of discovery to his music. His works, now increasingly popular, offer a rich exploration of the human experience, making them a captivating addition to any music lover's collection.
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