Dive into the enchanting world of Carl Orff's "Orpheus," a captivating opera that reimagines the timeless myth through a unique lens. Originally a reworking of Monteverdi's "L'Orfeo," Carl Orff's adaptation, translated into German, strips away extraneous elements to focus on the core narrative, resulting in a powerful and intimate exploration of love, loss, and redemption.
This 2011 release, available on the CPO label, spans just over an hour and eleven minutes, offering a rich tapestry of vocal and instrumental performances. The opera is divided into three acts, each transporting the audience through lush landscapes and haunting underworlds. From the radiant "Arkadische Landschaft" of Act I to the somber depths of the "Unterwelt" in Act III, Orff's score is a masterclass in orchestration and vocal expression.
The album features a stellar cast, with standout performances that bring Orpheus, Eurydice, and the chorus to life. The inclusion of "Klage der Ariadne," a stunning scena for mezzo-soprano, showcases Orff's enduring fascination with mythological themes and his ability to craft deeply moving musical narratives.
Conducted by Ulf Schirmer and performed by the Munich Radio Symphony Orchestra and the Orpheus Choir Munich, this recording benefits from a rich, immersive sound that highlights both the grandeur and the subtlety of Orff's composition. Whether you're a longtime admirer of Carl Orff's work or a newcomer to his unique style, "Orpheus" is a compelling addition to any classical music collection.
2011 CPO2011 CPO
Tracks
Orpheus: ToccataCarl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus: Als einst Orpheus den Tod seines Weibes mit Traierlieden beklagte (Speaker)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act I: Arkadische Landshaft: Preist diesen Tag der Freude! (Chorus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act I: Arkadische Landshaft: Flieht und der nachtigen Wolken Dunkel (Chorus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act I: Arkadische Landshaft: Strahlendes Licht, leuchtende Sonne (Orpheus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act I: Arkadische Landshaft: All mein Sehnen, Orpheus, all mein Sinnen (Eurydike)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act I: Arkadische Landshaft: InstrumentalCarl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act I: Arkadische Landshaft: Flieht uns der nachtigen Wolken Dunkel (Chorus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act I: Arkadische Landshaft: Preist diesen Tag der Freude! (Chorus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act I: Arkadische Landshaft: Froher Tag, lichter Tag, Tag der Liebe! (Chorus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act I: Arkadische Landshaft: MorescaCarl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act II: Heller, lichter Wald: InstrumentalCarl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act II: Heller, lichter Wald: Nehmt mich auf - Irh stillen Walder (Orpheus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act II: Heller, lichter Wald: Die Welt versinkt in deinem Song, Raum und Zeit entliehen (Chorus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act II: Heller, lichter Wald: Nehmt mich auf - Irh stillen Walder (Orpheus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act II: Heller, lichter Wald: Die Welt versinkt in deinem Song, Raum und Zeit entliehen (Chorus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act II: Heller, lichter Wald: Gebt mir Antwort, weite Walder (Orpheus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act II: Heller, lichter Wald: InstrumentalCarl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act II: Heller, lichter Wald: Lament: Eurydike - Bist du mir erloschen (Orpheus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act II: Heller, lichter Wald: InstrumentalCarl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: InstrumentalCarl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: Aus dem Dunkel ragt die uberlebengsgrosse Gestaly des Wachters der TotenCarl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: Bin ich hinab getaucht - Ins Reich der Schatten (Orpheus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: InstrumentalCarl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: Halt - Du, der du ins Land des Todes niedersteigst (Wachter)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: Du dunkler Warner, einsamer Wachter (Orpheus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: Allbezwingend tragt dein Sang, dein Leid ins Land der Schatten (Wachter)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: Weh mir unselig Seligem, endlich dir nach bin ich (Orpheus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: Hat ganz - Des Leides Krafy dein Herz zerbrochen (Wachter)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: O gib sie mir zuruck! (Orpheus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: InstrumentalCarl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: Zum Licht! Zum Leben! (Orpheus, Eurydike)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: Besegt hat Orpheus die Nacht (Chorus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: Eurydike, meine Liebe bluht empor in meinem Liedern (Orpheus, Chorus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: Eurydike, fuhlst du den Tag, dem wir entgegenschreiten? (Orpheus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Orpheus, Act III: Unterwelt: Weh - Dass des Lebens Sehnsucht im Land des Todes dich ergreft (Eurydike, Orpheus)Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tareq Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer
Klage der AriadneCarl Orff, Janina Baechle, Munich Radio Orchestra, Ulf Schirmer
Carl Orff, born in Munich in 1895, was a German composer and music educator whose name is indelibly linked to his monumental cantata "Carmina Burana." This sprawling, dramatic work, composed in the mid-1930s, is a symphonic tour de force for full orchestra, symphony choir, and youth choir, setting to music texts from a 13th-century collection of poems. Orff's innovative approach to composition and his unique rhythmic and melodic language make "Carmina Burana" a thrilling and unforgettable experience.
Beyond his compositional prowess, Orff was a pioneer in music education, developing the Schulwerk, a method that emphasized rhythm, movement, and improvisation, and which has had a lasting impact on children's musical training. His work as an educator began in the 1920s, and his innovative approaches continue to influence music teaching today. Orff's life and work were significantly shaped by the historical context of his time, including the rise of the Third Reich and the Nazi regime's complex relationship with his music. His legacy endures as a composer who not only created powerful, evocative music but also revolutionized the way we think about musical education.