Dive into the dramatic world of ancient Greek tragedy with Carl Orff's "Antigonae," a powerful and captivating musical setting of Sophocles' classic play. This two-disc set, released on March 30, 2010, by Profil, offers a comprehensive and immersive experience of Orff's unique compositional style, which he himself described as a "Vertonung" rather than a traditional opera.
Spanning over two hours and twenty-three minutes, "Antigonae" features the renowned Bavarian Radio Symphony Orchestra and Bavarian Radio Chorus, conducted by the esteemed Wolfgang Sawallisch. The album showcases a stellar cast of performers bringing to life the timeless story of Antigone, her sister Ismene, and the tragic events that unfold in the wake of their father Oedipus' reign.
Carl Orff, best known for his monumental cantata "Carmina Burana," demonstrates his mastery of dramatic composition in "Antigonae." The work is divided into five acts, each filled with rich orchestration and choral writing that underscores the intense drama and moral dilemmas of the original tragedy. From the haunting choruses to the impassioned solos, every moment of "Antigonae" is crafted to engage and enthrall the listener.
This album is a testament to Orff's genius and his ability to blend ancient themes with modern musical techniques. Whether you are a fan of classical music, opera, or simply appreciate a well-told story, "Antigonae" is an essential addition to your collection. Experience the timeless power of Sophocles' tragedy through the lens of one of the 20th century's most innovative composers.
2010 Profil2010 Profil
Tracks
Antigonae: Act I: Gemeinsamschwesterliches! o Ismenes Haupt! (Antigonae, Ismene)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act I: Bedenke, Schwester, wie der Vater, von uns (Ismene, Antigonae)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act I: InterludeCarl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act I: O Blick der Sonne, du schonster (Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act I: Ihr Manner, war's die Stadt allein (Kreon, Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act I: Mein Konig, diesmal plaudr' ich nicht (Wachter, Kreon)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act I: Zuletzt, als weiter nichts zu forschen war, spricht einer (Wachter)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act I: Mein Konig, lange rat, es mochte gottlich (Chorus, Kreon, Wachter)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act II: Ungeheuer ist viel (Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act II: Wie Gottes Versuchung aber steht es vor mir (Chorus, Wachter, Kreon)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act II: Du also, die zur Erde neigt das Haupt (Kreon, Antigonae, Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act II: Doch weisst Du wohl, dass allzu sprode sprach (Kreon, Antigonae)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act II: Aber jetzt kommt aus dem Tor Ismene (Chorus, Kreon, Ismene, Antigonae)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act III: Gluckselige solcher Zeit, da man nicht schmecket das Ubel (Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act III: Bald haben wohl, o Sohn, mehr als die Seher (Kreon, Hamon, Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act III: Als wie von Gott, himmlisch kommt die Besinnung (Hamon)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act III: Mein Konig, billig ist es, wenn er an der Zeit spricht (Chorus, Kreon, Hamon)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act III: Geist der Liebe, dennoch Sieger (Chorus, Soloist)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act III: Jetzt aber komm'ich, eben, selber (Chorus, Antigonae)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act III: O Grab! O Brautbett! (Antigonae, Chorus, Kreon)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act IV: O des Landes Thebes vaterliche Stadt (Antigonae)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act IV: Der Leib auch Danaes musste (Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act IV: Ihr Fursten Thebes! miteinander kommen (Tiresias, Kreon)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act IV: O Alter! alle, wie auf eines Schutzen Ziel (Kreon, Tiresias)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act IV: Der Mann, mein Konig, ging viel prophezeiend (Chorus, Kreon)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: Namensshopfer, der du von den Wassern, welche Kadmos (Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: O ihr des Kadmos Nachbarn und Amphios (Bote, Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: O all ihr Burger! eine Rede merkt' ich (Eurydice)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: Ich liebe Frau, sag' es, als Augenzeuge (Bote)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: Wie nimmst du dies? Die Frau ging wieder weg (Chorus, Bote)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: Io! unsinnige Sinne! (Kreon, Chorus, Bote)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: Weh! Weh! Weh! Weh! Mich beflugelt die Furcht (Kreon, Bote, Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Antigonae: Act V: Um vieles ist das Denken mehr (Chorus)Carl Orff, Martha Mödl, Marianne Radev, William Dooley, Carlos Alexander, Paul Kuen, Fritz Uhl, Josef Traxel, Kurt Böhme, Lilian Bennigsen, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch
Carl Orff, born in Munich in 1895, was a German composer and music educator whose name is indelibly linked to his monumental cantata "Carmina Burana." This sprawling, dramatic work, composed in the mid-1930s, is a symphonic tour de force for full orchestra, symphony choir, and youth choir, setting to music texts from a 13th-century collection of poems. Orff's innovative approach to composition and his unique rhythmic and melodic language make "Carmina Burana" a thrilling and unforgettable experience.
Beyond his compositional prowess, Orff was a pioneer in music education, developing the Schulwerk, a method that emphasized rhythm, movement, and improvisation, and which has had a lasting impact on children's musical training. His work as an educator began in the 1920s, and his innovative approaches continue to influence music teaching today. Orff's life and work were significantly shaped by the historical context of his time, including the rise of the Third Reich and the Nazi regime's complex relationship with his music. His legacy endures as a composer who not only created powerful, evocative music but also revolutionized the way we think about musical education.