Dive into the dramatic world of Carl Orff's "Antigonae," a monumental work that stands as one of the composer's greatest dramatic masterpieces. Originally composed in 1949, this recording, released by Orfeo, offers a rare and captivating experience that showcases Orff's unique musical style. Unlike traditional operas, Orff referred to "Antigonae" as a "musical setting" (Vertonung) of the ancient tragedy, providing a fresh perspective on the classic story.
Spanning over two hours and thirty-one minutes, this album is a testament to Orff's innovative approach to orchestration. The composition features a percussive and unusual orchestral arrangement, with sparse strings but an abundance of pianos, harps, and winds. This distinctive soundscapes creates a rich and immersive auditory experience that sets "Antigonae" apart from conventional orchestral works.
The album is divided into five acts, each containing multiple tracks that delve into the tragic narrative of Antigone. The powerful vocals, accompanied by the Sinfonie-Orchester Des Bayerischen Rundfunks and conducted by Ferdinand Leitner, bring the ancient drama to life with intensity and depth. Whether you're a seasoned fan of Carl Orff's work or a newcomer to his compositions, "Antigonae" promises an unforgettable journey through one of the most compelling stories in classical literature.
2016 Orfeo2016 Orfeo
Tracks
Antigonae, Act I: Gemeinsamschwesterliches! o Ismenes Haupt!Carl Orff, Christel Goltz, Irmgard Barth, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act I: O Blick der Sonne, du schonsterCarl Orff, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act I: Ihr Manner, war's die Stadt alleinCarl Orff, Hermann Uhde, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act I: Dir dunket diss, o Sohn MenokeusCarl Orff, Hermann Uhde, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act I: Mein Konig, diesmal plaudr' ich nichtCarl Orff, Paul Kuen, Hermann Uhde, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act II: Ungeheuer ist vielCarl Orff, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act II: Wie Gottes Versuchung aber steht es vor mirCarl Orff, Paul Kuen, Hermann Uhde, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act II: Du also, die zur Erde neigt das HauptCarl Orff, Hermann Uhde, Christel Goltz, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act II: Aber jetzt kommt aus dem Tor IsmeneCarl Orff, Hermann Uhde, Irmgard Barth, Christel Goltz, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act III: Gluckselige solcher Zeit, da man nicht schmecket das UbelCarl Orff, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act III: Hamon kommt hierCarl Orff, Hermann Uhde, Karl Ostertag, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act III: Geist der Liebe, dennoch SiegerCarl Orff, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act III: Jetzt aber komm'ich, eben, selberCarl Orff, Christel Goltz, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act III: Doch komm' ich an, so nahr' ich das mit HofnungenCarl Orff, Christel Goltz, Hermann Uhde, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act IV: O des Landes Thebes vaterliche StadtCarl Orff, Christel Goltz, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act IV: Ihr Fursten Thebes! miteinander kommenCarl Orff, Ernst Haefliger, Hermann Uhde, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act IV: Der Mann, mein Konig, ging viel prophezeiendCarl Orff, Hermann Uhde, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act V: Namensshopfer, der du von den Wassern, welche KadmosCarl Orff, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act V: O ihr des Kadmos Nachbarn und AmphiosCarl Orff, Kurt Böhme, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act V: O all ihr Burger! eine Rede merkt' ichCarl Orff, Marianne Schech, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act V: Ich liebe Frau, sag' es, als AugenzeugeCarl Orff, Kurt Böhme, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Antigonae, Act V: Io! unsinnige Sinne!Carl Orff, Hermann Uhde, Kurt Böhme, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Sir Georg Solti
Carl Orff, born in Munich in 1895, was a German composer and music educator whose name is indelibly linked to his monumental cantata "Carmina Burana." This sprawling, dramatic work, composed in the mid-1930s, is a symphonic tour de force for full orchestra, symphony choir, and youth choir, setting to music texts from a 13th-century collection of poems. Orff's innovative approach to composition and his unique rhythmic and melodic language make "Carmina Burana" a thrilling and unforgettable experience.
Beyond his compositional prowess, Orff was a pioneer in music education, developing the Schulwerk, a method that emphasized rhythm, movement, and improvisation, and which has had a lasting impact on children's musical training. His work as an educator began in the 1920s, and his innovative approaches continue to influence music teaching today. Orff's life and work were significantly shaped by the historical context of his time, including the rise of the Third Reich and the Nazi regime's complex relationship with his music. His legacy endures as a composer who not only created powerful, evocative music but also revolutionized the way we think about musical education.
Vinylscout
Carl Orff
