Celebrate the legendary Milt Hinton's 80th birthday with this extraordinary double album, "Old Man Time," released in 1990 by Chiaroscuro Records. This jazz masterpiece is a testament to Hinton's unparalleled skill and influence on the genre, spanning cool jazz, hard bop, and bebop styles.
Recorded between 1989 and 1990, the album features 21 tracks, including the title track "Old Man Time," as well as classics like "Time After Time," "Sometimes I'm Happy," and "It Don't Mean a Thing If It Ain't Got That Swing." Hinton's virtuosic bass playing takes center stage, accompanied by his distinctive vocals on several tracks.
The album is a delightful blend of swing, vocal, and instrumental pieces, showcasing Hinton's versatility and musical prowess. From the playful "Mamma Don't Allow It" to the sultry "I Ain't Gonna Give Nobody None O' This Jelly Roll," each track offers a unique glimpse into Hinton's extraordinary career.
"Old Man Time" is not just a collection of songs; it's a journey through the evolution of jazz, with Hinton's bass lines serving as the guiding force. Whether you're a longtime fan or a newcomer to his music, this album is sure to captivate and inspire. So, sit back, relax, and let the timeless sounds of Milt Hinton transport you to a world of jazz excellence.
Milt Hinton, affectionately known as "The Judge," was a titan of jazz, renowned for his mastery of the double bass and his prolific recording career. Born in Vicksburg, Mississippi, in 1910, Hinton's journey took him from the swing era of the 1930s to the turn of the millennium, collaborating with legends like Cab Calloway and leaving an indelible mark on cool jazz, hard bop, and bebop. With an estimated 900 jazz record sessions to his name between 1930 and 1955 alone, Hinton's bass lines are woven into the fabric of jazz history. Beyond his musical prowess, Hinton was also a talented photographer, capturing moments from his extensive travels and encounters with fellow musicians. His influence and love for the genre kept him a vital figure in jazz well into his 80s, earning him the title of the "Dean of Jazz Bassists." Hinton's legacy is not just about the notes he played, but also about the stories he told and the connections he made, both on and off the stage.
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