Officium Tenebrarum

Album Description

Immerse yourself in the hauntingly beautiful world of "Officium Tenebrarum," a captivating collection of Gregorian chants performed by the Utrecht Students' Chamber Choir. Released in 1977 under the Celestial Harmonies label, this album is a profound exploration of medieval choral music, specifically the first nocturn of the Night Office for Holy Saturday. Composed by Pierre de la Rue, Johannes Gardano, and Bernardus Ycart, the album features nine tracks that span a total of 39 minutes, offering a serene and contemplative listening experience.

The album is a testament to the rich tradition of Gregorian chants, with each track meticulously crafted to evoke a sense of solemnity and reverence. From the antiphons and psalms to the responsories and readings from the Lamentations of Jeremiah, every piece is performed with precision and devotion by the talented choir. The blend of voices creates a harmonious and ethereal soundscape that transports the listener to a place of quiet reflection.

"Officium Tenebrarum" is not just an album; it's a journey through the sacred music of the medieval era, showcasing the timeless beauty of Gregorian chants. Whether you are a fan of classical music, medieval choral works, or simply seeking a moment of tranquility, this album is a must-listen. The Utrecht Students' Chamber Choir, under the direction of Jan Boogaarts, brings a sense of authenticity and passion to each performance, making this a truly memorable and spiritually uplifting experience.

1 januari 1977

1977 Celestial Harmonies

About Pierre de la Rue

Pierre de la Rue, born around 1460, was a renowned Franco-Flemish composer and singer of the Renaissance, celebrated for his significant contributions to the polyphonic style that flourished in the Netherlands around 1500. A contemporary of the legendary Josquin des Prez, de la Rue's music was highly prized at the Habsburg-Burgundian court, where he served as the pre-eminent composer under Duke Philip 'the Fair' of Burgundy. His compositions, which include the influential 'Missa pro defunctis' — one of the earliest polyphonic settings of the requiem — showcase his mastery of choral and sacred music. De la Rue's work is a testament to the rich musical heritage of the late fifteenth and early sixteenth centuries, making him a pivotal figure in the history of Renaissance music.