Nine To Get Ready

Album Description

Dive into the avant-garde world of jazz with Roscoe Mitchell's "Nine to Get Ready," a captivating album released in 1999 under the prestigious ECM Records label. Recorded in May 1997 at the renowned Avatar Studio in New York, this album is a testament to Mitchell's innovative spirit and his significant contributions to the free jazz genre.

"Nine to Get Ready" is a dynamic collection of ten tracks, each offering a unique blend of improvisation and composition. The album opens with "Leola," setting the stage for a journey through Mitchell's distinctive sound. Standout tracks like "Dream and Response" and "For Lester B" showcase his mastery of the saxophone, while "Jamaican Farewell" adds a touch of rhythmic complexity. The album concludes with the upbeat and affable "Big Red Peaches," leaving the listener with a sense of joy and satisfaction.

With a duration of just over 55 minutes, this album is a concise yet powerful exploration of Mitchell's artistic vision. Whether you're a seasoned jazz enthusiast or a curious newcomer, "Nine to Get Ready" offers a rich and rewarding listening experience. The album features Mitchell alongside The Note Factory, a group that complements his avant-garde style with precision and creativity. This collaboration results in a diverse, colorful, and jubilant musical journey that highlights the best of free jazz and avant-garde jazz.

11 januari 1999

℗ 1999 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

About Roscoe Mitchell

Roscoe Mitchell is a pioneering figure in the world of avant-garde jazz, renowned for his innovative compositions and virtuosic performances on multiple woodwind instruments, with a particular mastery of the saxophone. Born in Chicago in 1940, Mitchell has been at the forefront of modern music for over half a century, co-founding both the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians (AACM). His work is characterized by a deliberate and methodical approach that pushes the boundaries of improvisation, earning him accolades as one of the key figures in avant-garde jazz. Mitchell's contributions extend beyond performance; he is also a respected educator and musical thinker, currently serving as the Darius Milhaud Chair of Composition at Mills College. With a career spanning over five decades, Mitchell continues to inspire and influence the jazz world, blending composition and improvisation in groundbreaking ways.