Niccolò Jommelli: Sei Trio Sonate per flauto traverso, oboe e cembalo

Album Description

Immerse yourself in the enchanting world of Baroque chamber music with Niccolò Jommelli's "Sei Trio Sonate per flauto traverso, oboe e cembalo." This exquisite collection of six trio sonatas, released on September 17, 2021, under the Arte Sonora label, offers a captivating journey through the rich textures and vibrant harmonies of the 18th century.

Composed for flute, oboe, and harpsichord, these sonatas showcase Jommelli's mastery of the trio sonata form, with each movement carefully crafted to highlight the unique timbres of the instruments. The album spans a variety of moods and tempos, from the gentle Andantino and Largo movements to the lively Allegros and spirited Minuets, providing a comprehensive exploration of Jommelli's compositional prowess.

Performed by the talented ensemble Accademia Farnese, featuring Claudio Ferrarini, Fabio Rastelli, and Francesco Tasini, this recording brings Jommelli's music to life with precision and passion. The ensemble's dynamic interplay and sensitive phrasing breathe new life into these historic works, making this album a delight for both casual listeners and classical connoisseurs alike.

With a total duration of one hour and two minutes, this album is perfect for a leisurely listen or a focused study of Jommelli's contributions to the Baroque repertoire. Whether you're a longtime fan of classical music or new to the genre, "Sei Trio Sonate per flauto traverso, oboe e cembalo" is sure to captivate and inspire.

September 17, 2021

2021 Arte Sonora

About Niccolò Jommelli

Niccolò Jommelli, born in Aversa, Italy, in 1714, was a pioneering composer of the Neapolitan School whose innovative works left an indelible mark on the operatic landscape of the mid-eighteenth century. Known for his eclectic style, Jommelli seamlessly blended Italian, German, and French musical elements, earning admiration from contemporaries like Mozart. His operatic reforms, which included reducing the ornateness of style and the dominance of star singers, significantly influenced the genre. Jommelli's prolific career spanned over 220 stage works, including more than 60 operas, as well as numerous oratorios, cantatas, masses, and chamber music. His journey took him through major European cities, including Rome, Vienna, Stuttgart, and Naples, where he held prestigious positions such as "Ober-Kapellmeister" at the ducal court of Stuttgart and vice-chapelmaster at St. Peter's Basilica in Rome. Despite suffering a stroke in 1771, Jommelli continued to compose until his death in 1774, leaving behind a legacy that continues to inspire and captivate audiences today.