Recorded live in his hometown of Wuppertal, Germany, during Peter Brötzmann's 80th birthday celebrations in August 2021, "Naked Nudes - Brötz 80th at Ada 2021" is a captivating live album featuring the legendary saxophonist alongside pedal steel guitarist Heather Leigh and cellist Fred Lonberg-Holm. This unique trio, known for their unconventional collaborations, delivers an intimate and evocative performance that showcases their distinctive musical chemistry.
The album, released on Trost Records, comprises three tracks: "Naked Nudes," "Flower Flaps," and "Johnny Anaconda." Each piece is a testament to the musicians' ability to create a sonic landscape that is both haunting and beautiful, blending elements of free jazz and avant-garde music. The interplay between Brötzmann's raw, expressive saxophone, Leigh's ethereal pedal steel, and Lonberg-Holm's versatile cello and electronics results in a mesmerizing auditory experience.
"Naked Nudes - Brötz 80th at Ada 2021" is a celebration of Brötzmann's enduring legacy and his continued innovation in the world of experimental music. The album captures the essence of a live performance, with all its spontaneity and energy, making it a valuable addition to any music enthusiast's collection. The recording, produced by Brötzmann himself and mastered by Martin Siewert, ensures that the nuances of the live performance are preserved, providing an authentic listening experience. The album's artwork, designed by Brötzmann and Untiet, complements the music with its striking visuals, adding another layer of depth to this remarkable release.
Peter Brötzmann, a titan of European free jazz, was a saxophonist and clarinetist whose powerful and uncompromising playing style left an indelible mark on the genre. Born in Remscheid, Germany, Brötzmann's journey into jazz began at the age of 13, inspired by a transformative concert by Sidney Bechet. Throughout his career, he released over fifty albums as a bandleader, collaborating with legendary figures such as Derek Bailey, Anthony Braxton, and Cecil Taylor, as well as experimental musicians like Keiji Haino and Charles Hayward. His 1968 album "Machine Gun" is hailed as a landmark of 20th-century free jazz, showcasing his radical and energetic approach to music. Brötzmann's playing was known for its intensity and raw emotional power, yet he could also deliver subtle and tender sounds, demonstrating his versatility and depth as an artist. His music was a reflection of his compassionate nature and deep connection to the natural world, breaking down barriers and exploring the beauty of life. Brötzmann's influence on free jazz is immeasurable, and his legacy continues to inspire musicians and enthusiasts alike.
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