My Main Man

Dive into the vibrant world of jazz with Sonny Stitt's "My Main Man," a timeless classic recorded in Chicago in March 1964. This album, originally released on the Argo label, features the masterful saxophonist Sonny Stitt alongside the talented trombonist Bennie Green. With a blend of bebop, hard bop, cool jazz, and acid jazz, "My Main Man" offers a rich and dynamic listening experience that showcases the depth and versatility of Stitt's musical genius.

The album kicks off with "Flame And Frost," setting the tone for a journey through seven captivating tracks that highlight Stitt's virtuosity on both alto and tenor saxophones. Each song, from the playful "Let's Play Chess" to the soulful "The Night Has A Thousand Eyes," is a testament to Stitt's ability to blend technical prowess with heartfelt expression. The collaboration with Bennie Green adds a layer of warmth and depth, making "My Main Man" a standout in the jazz canon.

At just 35 minutes, this album is a concise yet powerful exploration of jazz styles, making it an essential addition to any jazz enthusiast's collection. Whether you're a longtime fan of Sonny Stitt or a newcomer to his music, "My Main Man" promises an engaging and enjoyable listening experience.

Sonny Stitt, born Edward Stitt in Boston and raised in Michigan, was a pioneering American jazz saxophonist renowned for his warm, distinctive tone and his mastery of the bebop and hard bop idioms. Nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, Stitt was known for his relentless touring and his preference for working with different musicians, rather than forming a permanent band. Initially, Stitt's style was compared to that of Charlie Parker, but he soon developed his own unique sound, particularly on the tenor saxophone. His extensive discography, featuring over 100 albums, showcases his versatility and innovation. Stitt's career spanned several decades, from establishing himself on the American jazz scene in the 1960s to making a significant impact on the UK jazz funk scene in the mid-1970s. He was also known for his sax duels with contemporaries like Dexter Gordon and Gene Ammons, further cementing his status as one of the finest bebop saxophonists of his era.