- Albums
- music of many colours - fela kuti
Music of Many Colours
- 1980
- 2 tracks
- 36 min
- afrobeat
Album Description
"Music of Many Colours" is a captivating collaboration between two legendary musicians, Fela Kuti and Roy Ayers, released in 1980. This album is a fusion of afrobeat, highlife, and afropop, showcasing the unique talents of both artists. The record features just two tracks, "2000 Blacks Got to Be Free" and "Africa Centre of the World," but it packs a powerful punch in its 36-minute duration. The album was released under Knitting Factory Records and has been remastered and reissued on black vinyl, making it accessible to both new and old fans. This collaboration came about during Roy Ayers' tour of Nigeria in early 1980, where he opened for Fela Kuti, leading to this memorable musical partnership. The album is a testament to the rich musical heritage of Africa and the innovative spirit of its creators.
Tracks
- 2000 Blacks Got to Be FreeFela Kuti, Roy Ayers
- Africa Centre of the WorldFela Kuti, Roy Ayers
About Fela Kuti
Fela Kuti, born Olufela Olusegun Oludotun Ransome-Kuti, was a revolutionary Nigerian musician and political activist, renowned as the pioneer of Afrobeat. This genre, which he created in the early 1970s, is a powerful fusion of West African musical styles with American funk and jazz, reflecting his diverse influences and experiences. Kuti's music was more than just entertainment; it was a platform for social protest and political activism. His powerful lyrics and infectious rhythms made him one of Africa's most challenging and charismatic performers, earning him international recognition as a musical and sociopolitical voice.
Born into a family of activists—his mother, Funmilayo, was a feminist and anti-colonialist, and his father, Israel Oludotun, was a Protestant minister and educator—Kuti's upbringing instilled in him a deep sense of social justice. This passion for activism was evident throughout his career, as he fearlessly spoke out against government oppression and corruption, often landing him in trouble with the authorities. Despite facing numerous arrests and hardships, Kuti remained undeterred, using his music to inspire generations and rally against injustice.
Kuti's legacy extends far beyond his music. His iconic New Afrika Shrine in Lagos served as a cultural hub and a symbol of resistance, attracting fans and activists alike. Even after his death in 1997, Kuti's influence continues to inspire musicians and activists worldwide, making him a enduring figure in the global music scene. His discography, spanning genres like Afrobeat, highlife, and afropop, is a testament to his innovative spirit and unwavering commitment to social change.
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