"Music for Moderns" is the second album by the Lounge Art Ensemble, a dynamic jazz trio featuring the incomparable Peter Erskine on drums, Dave Carpenter on bass, and Bob Sheppard on saxophones. Released on January 2, 2005, under the Fuzzy Music label, this jazz and jazz fusion masterpiece spans 59 minutes and includes 12 captivating tracks, such as "Plan 9," "Manic Tropical Depression," and "Angel Dust."
Peter Erskine, a highly acclaimed drummer and composer, brings his extensive experience and innovative style to this album. Known for his work with renowned artists and his contributions to film, theater, and television scores, Erskine's prowess is evident in every beat and rhythm of "Music for Moderns." The album earned him a Grammy Award nomination for Best Jazz Instrumental Album, highlighting its exceptional quality and artistic merit.
The Lounge Art Ensemble's "Music for Moderns" is a testament to the trio's musical synergy and creativity. Each track is a blend of intricate melodies, smooth improvisations, and powerful rhythms that showcase the ensemble's versatility and mastery of the jazz genre. Whether you're a seasoned jazz enthusiast or a newcomer to the genre, this album offers a rich and engaging listening experience that celebrates the timeless appeal of jazz music.
Peter Erskine is a renowned American jazz drummer, celebrated for his dynamic contributions to the genre and his influential role in jazz fusion. Born in Somers Point, New Jersey, in 1954, Erskine began his musical journey at the tender age of four, quickly ascending to the forefront of world-class jazz. He is best known for his tenure with the legendary band Weather Report and his work with the fusion group Steps Ahead. Erskine's discography is extensive and diverse, featuring collaborations with some of the most respected names in jazz. His compositions, such as those found on 'Time Being', are noted for their emotional depth and intelligent craftsmanship. Beyond his performing career, Erskine is also an esteemed educator, serving as an International Visiting Professor at the Royal Academy of Music. His insights into jazz drumming are further explored in his book, 'Jazz Drumming Perspectives', making him a valuable figure both on and off the stage.
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